Canons of Orthodoxy of XIV century and the present time

The present report is devoted to restoration of true evangelical events of the New Testament with the help of the kept mosaics and frescos of Church of the Christ of the Savior in Fields or Church of Chorus in Constantinople (XIV century). We compare canons of Orthodoxy to this purpose XIV centuries reflected in Church of Chorus, and modern doctrines.

The description of mosaics and frescos of Church of Chorus we shall take from article [1].

We shall remind that the name of complex of Chora occurs that before erection of the city walls kept nowadays Emperor Theodosius II Church stood outside of limits of capital, to the south from the Gold Horn. The kept building of Temple is constructed Maria Doukas by efforts, mothers–in–law of Emperor Alexey Comnenus, in 1077–1081. However half–centuries later from earthquakes the part of vaults has fallen and younger son Alexey has paid regenerative works.

The Church of Chora has been again reconstructed after coming to power of dynasty Palaiologos per 1315–1321. Ktitor is acted Great Logothete Theodore Metochites. It has leaded last years in monastery the usual monk. His portrait on one of mosaics up to now has reached. Critics consider, that the mosaics ordered by him and frescos are unsurpassed art achievement Palaiologos’s of revival. During time of siege of Constantinople Turks in 1453 in Temple had been brought an icon Heavenly cities Protector – an icon of Mother of God Hodegetria and monastery still worked some time. However in half–century Turks make up plaster all images of the Byzantium period to turn Church into mosque Kariye–Camii. The Church of Chora has returned by life as island of Byzantium in the middle of modern Islamic city as result of restoration of 1948–1958.

Regenerative works have lead archeologist Thomas Whittemore (Byzantine Institute of America) and Paul A. Underwood (Dumbarton Oaks Center for Byzantine Studies). Since 1948 the ancient construction has ceased to function as mosque and in 1958 has opened as museum of the Byzantium art – Kariye Müzesi. We shall notice that Thomas Whittemore investigated and restored mosaics of the Temple of Holy Sofia since 1932 down to the beginning of works in Church of Chora. We are sure, that the American archeologist has applied the hand on the main kept artifacts of Orthodox Constantinople.

Before the description and the analysis of mosaics and frescos of Church of Chora we pay your attention to the fact of that all kept and restored inscriptions are made in Church language – combinations of classic language of Russ or literally Great language and the Greek language. Names, monograms and are easy read to an inscription the modern Russians in view of that some words have the old value lost nowadays. These written signs are not Latin, Hebrew, Greek or Aramaic the alphabet. Letters priori speak that Church is Old Russian was religious language of Patriarchs of Christianity and Holy Family. We shall remind that according to our researches Old Russian there is language of ethnic Ugrian (Haplogroup N1) from Clan of Russ – Flavius.

Figure 1. In a southern part internal narthex on dome there are images of Jesus Christ and his ancestors. Inside medallion Jesus is represented around of him equal shares of dome from top to down locate images of ancestors of Jesus. In the top part of 24 figures is of ancestors from Adam and up to Jacob. In the bottom part twelve sons Jacob and one son Fares (however, actually, there 15 names) are drawn. We shall result the list of ancestors of Jesus.

24 forefathers are specified in the following order, counter–clockwise is Adam, Seth (CЋ), Noah, Kenan (last letter N is visible only), Mahalalel, Jared, Lamech, Shem, Japheth, Raphael, Sal (Sall), Eber (Ebr), Serug, Nahor, Terah, Abraham, Isaac, Jacob, Peleg, Reu, Methuselah, Enoch, Enos and Abel.

Names are written widely, the part does not find room on the allocated space. Sometimes letters are written atop of plaster where the mosaic has fallen off from the arch. The paint at the majority of names looks fresh, letters are put roughly. Adam differs from other figures staff in the right hand and long beard.

Names of others of 15 ancestors are specified in sequence – Ruben, Simeon, Levi, Judas, Zebulon, Issachar, Dam, Gad, Asher, Naphtali, Joseph, Benjamin, Peres, Zechariah and Hezron.

Figure 2. In southern part internal narthex on dome are Mary and baby Jesus and his ancestors. Inside medallion Virgin Mary and baby Jesus is represented with is familiar to imperial authority in the left hand. Around of medallion between shares of dome from top to down there are two lines of Tsars of Prophets and Jesus Christ's ancestors. In the top number there are figures of 16 Tsars–Prophets from David up to Salaphiah counter–clockwise: David (DAD), Salomon, Rehoboam, Abijah, Asa, Jehoshaphat, Jehoram, Uzziah, Jotham, Ahaz, Hezekiah, Manasseh, Amon, Josiah, Jeconiah and Salaphiah (Salatil). Names are written equally, there are no names with carrying out of letters upwards in the second number.

In the bottom part of a mosaic 11 Tsars of Prophets are located: Kenan, Uzziah, Michael, Daniel, Joshua, Moses, Aaron, Nur, Samuel, Job and Melchizedek.

Names of Tsars are broken into two parts – on the right and to the left of heads. From below to disassemble full names it is impossible. Damages of dome and mosaic coincide with damages of letters of inscriptions.

The most important opening of the given mosaic will be that the name of Tsar David is written, like DAD. This word is father, and at all David is means name of the Jewish tsar.

We believe that DAD (ДАД) was considered as one of the most significant Forefathers of Israeli people and Jesus Christ. It is obvious that after Council of Trent in XVI century and One hundred Heads Cathedral (Stoglavy Synod) on 1551 in Russia, the name of Forefather DAD has been changed to the Jewish variant of name is Tsar David.

Let's lead the analysis of the information on Figures 1 and 2. We shall reduce all data of names of Tsars of Prophets and Jesus Christ's ancestors in our Table No. 1 Genealogic tree of Patriarchs and Tsars [1], which we have published in work Attributions of Rurikovich and Emperors Lecapenos, Kubarev V.V., The report at XXVIII International conference on problems of the Civilization, 26.04.2014, Moscow, RosNoU [2], the Bible [3] and reconstruction of family tree of Prophet Mohammed [4].

It turns out, that the list of ancestors of Jesus from 24 Tsars is not direct line of family tree. At the list there are some pairs of brothers of one knee. Neighbors of Adam of steel his sons – on the right Seth and at the left Abel. Why that near to Seth it is located Noah. Cain it is not included in the list. Then there is pair brother Shem and Japheth. We believe that Peleg and Rau are not Jesus Christ's lineal descendants, but are present at the list as Tsars and relatives.

We identify Prophet Sal (CAΛΛ) to son of Heracles – Hyllus (ΥΛΛ). Earlier, in the researches, we have missed this moment, but now we bring specification in Jesus Christ's family tree on our reconstruction. Leaves, that Jesus Christ is 40 knees from Adam.

Comparison of ancestors of Jesus according to mosaic of the Figure 2 with official family tree of the Christ reveals difference in the smaller party on one ancestor Joachim. The sheet of names corresponds to movement counter–clockwise in both versions, behind exception Noah. We shall note that we deal with names of the Israeli Tsars, instead of with Jesus's direct ancestors. We believe that names of the Israeli Tsars correspond to names of Tsars of Great Bulgaria which was Great Israel in the past. Names of Tsars of the Scripts are religious names Khaganes of Bulgarians, ethnic Ugrian Russia. However direct similarity in pronunciation and spelling of names is not present.

Careful visual studying of inscriptions of domes of the Figure 1 and 2 speaks that inscriptions were restored and could be written anew, therefore degree of trust to this information rather modest. Further we shall use also comments to mosaics and inscriptions on them made in books [5] and [6].

Figure 3. Anna, who has received message about birth of the child, informs her Joachim which embraces and welcomes Anna (a lunette of east wall, internal narthex). The meeting has taken place at Golden Gate. On mosaic short inscription НСYΛΛНΨIСТӨКОY: Conception of the Virgin. Letters are isomorphic to cloth of mosaic.

Figure 4. On internal narthex in the center of the arch, there is decorative medallion as one of flat projections of the Chariot of the God. In the western part of the arch three sit High Priest, blessing baby Mary two finger sign of the cross. To the left of monks Joachim bears Mary on hands. Above heads Joachim and Mary there are nimbuses. On mosaic has from above two short inscriptions НЕVΛOЂCIC TѠNIEPEѠN. Letters are isomorphic to cloth of mosaic.

In the book – primary source the wrong comment on which in Temple to monks has brought Jesus, instead of Mary is given. The most surprising in mosaic that all priests have combined fingers of the right hand in two finger Christian Mudra for blessing Mary.

Figure 5. Introduction of the Virgin in the Temple (the arch central, the third compartment of internal narthex). High Priest Zechariah (Zohar) presents the Temple Mary who is represented before Joachim and Anna. On the second plan Mary sits on throne and accepts I peep from an angel. Two women participate in ceremony – on the right and to left of center of composition. Above picture has an inscription – ТААЂА ТѠ NАГIѠN – Holy of Holies. Letters are isomorphic to cloth of mosaic.

According to our representations, Anna and its daughter Mary had problems of house as – to Vladimir, the son, instead of the daughter was necessary for father Mary. Therefore has been solved to transfer only child Anna in the Temple for execution of outlines of Prophets.

Zechariah has been married to Elisabeth is relative Anna. Later at Zechariah and Elisabeth it is pure son John Baptist, christened Jesus Christ in waters of Jordan will be born.

Figure 6. The mosaic represents stage of choice of the groom for Mary (the western spotlights of cross–section arch internal narthex). The Virgin sits under the arch and before it on an altar twelve staffs lay. In lap costs High Priest Zechariah and prays. In the explanatory to the book it is spoken, that Mary should leave in marriage for at whom the staff will blossom. However at Jacob it is told, that when Mary it was executed twelve years that she has not profaned relics, attendants of the Temple have decided to transfer her in family widower to residence, thus Mary should keep Virginity. To name such action by delivery in marriage it is incorrect. It is no wonder in fact even in those days the twelve–year girl cannot leave in marriage. Actually the Temple transferred the Virgins who have devoted life to the God, to care in incomplete families of Israelis.

Figure 7. Mary Joseph's transfer (the western lunette of the second compartment internal narthex). Before an altar has costs Zechariah and small Mary. Zechariah stretches the blossomed staff to Joseph who in confusion goes to Zechariah and Mary. Around of heads Zechariah, Mary and Joseph nimbuses are represented. Mary on growth almost is twice lower than Joseph. On mosaic have inscription HПPOC TO NIѠCHФПNPAД OCIC. Letters are isomorphic to cloth of mosaic.

However it agrees Jacob, Zechariah has distributed staffs to 12 applicants for Mary's care. When Joseph has taken staff from hands Zechariah dove has taken off from under staff and has risen above Joseph's head. This phenomenon have recognized as sign. Zechariah has told to Joseph: « You are elected to accept to yourself and to observe the maiden Sirs ». Joseph objected: « I have sons, and I am old, and she is young, I do not want to be laughing–stock at sons of Israel ». Then Joseph has reconciled and has allocated Mary to itself in the house. However events curtain for the Temple occurred to spinning after Mary's transfer to Joseph's family, therefore the sequence of mosaics is broken.

We believe that Mary could not live in the parental house as father Vladimir was not glad to the daughter, therefore has been solved to transfer Mary at alive parents in another's family to care.

Figure 8. Mary's annunciation (southwest sail of dome of the first compartment internal narthex). Mary is represented at well, whence types water. The angel comes nearer to it and informs it on fast occurrence of the child. Mary's surprise of this message is well visible.

The given annunciation is contradicts modern initial New Testament to the text. However according to doctrines of Nova Church of Holy Russia, the given mosaic shows the moment of conception of the Virgin which has become pregnant from the use of water of the Holy Well of the Yam the Gold Cup in Pereyaslav Princedom of Russia on the river Kubra.

At this time Zechariah was dumb, and his wife Elisabeth was pregnant John. Elisabeth drinks from the same source, as later Mary. When Mary has received the annunciation has gone to Elisabeth on visit. At Mary's meeting with Elisabeth the child in belly of this has leapt and has as though blessed Mary who has lived on a visit 3 months. Sixteen–year Mary's stomach was approximated, and it became impossible to hide it.

Figure 9. Joseph's dreams and flight to Egypt (northern lunette of the first compartment external narthex). On mosaic the sleeping Joseph and an angel coming nearer to it with message about Jesus's birth at the left is represented. More to the right cost Mary with the woman. Above stage have long, indistinct inscription. It is considered, that there it is written « Angel of God was to it in dream and has told: for born in it from Holy Spirit » (Matthew. 1:20). At the left the stage of travel to Bethlehem is represented – Joseph accompanies with Mary on donkey (though the horse there is shown), and ahead there is son Joseph. Mary and Joseph with nimbuses are above head.

Above the right stage have long, indistinct inscription « There was as well Joseph from Galilee, from the city of Nazareth, to Judea, in city of David, the named Bethlehem ».

The official explanation of picture does not correspond to the validity and Proto Gospel from Jacob. According to last Joseph in dream the angel who has told was: « be not afraid for Virgin: for that in It, from Holy Spirit » and further « she will give birth to the Son, and you will name his Jesus ». In the right part of mosaic have travel of family of Joseph and Mary to district Bethlehem is really shown. Any David and Nazareth there it is not mentioned. There is no also mention of flight to Egypt as in it there was no necessity.

In the mentioned above sources it is spoken, that mosaics with stages of flight to Egypt were not kept, but they physically are not present between other stages, located in the logic order according to events Proto Gospel Jacob.

In compliance with our doctrines, the district Bethlehem is a province of the Roman Empire Bithynia. In this area there was city Prusa – an ancient throne of the Clan of Russ and, accordingly, David's city in which all should be registered Russian Princes. Tsar David is identified by us with Great Khagane Kubrat; it is Emperor Heraclius August Flavius. Capital Bithynia was Nicaea, considered the second city of Empire after Constantinople. Then capital Bithynia became Nicomedia. We believe that flight of family of Joseph to Egypt is represented by late falsification of New Testament events.

Figure 10. Census in Bethlehem in Judea (east lunette of the first compartment external narthex). According to the explanatory to a mosaic, at that time Emperor August has issued the decree about carrying out of population census in all territory of Roman empire. It was the first census during board of Quirinius in Syria. Therefore everyone has gone to the native city for registration. Joseph with sons and Mary has gone from the city of Nazareth in Galilee to Judea, in David Bethlehem city as it belonged to David's Clan. It is considered, that in picture governor Quirinius, near to it scribe and the soldier in the expensive clothes, considering paper and marks doing in it is represented. More to the right there is Mary who has lowered in confusion of an eye downwards, and in distance more to the right, there is Joseph bowing to the governor. For Joseph there are his sons. Quirinius addresses to Mary and Joseph, and Joseph in bow answers it gesture. Above stage there is an inscription with the citation from Lucas: « To enter the name with Mary, betrothed to it wife which was pregnant » (the Lucas, 2:5).

We believe that the given description of a mosaic and an inscription are forged in the good purposes by monks or restorers. Anywhere in the Gospel it is not told, that Mary and Joseph with sons were on reception at governor Quirinius during census. And what for to the governor of Syria personally to participate in census of poor inhabitants of Judea?

Actually the given mosaic represents stage of court which has arranged High Priest Samuel on the fact of detection of pregnancy of Mary and Joseph's fall or his sons. At that time Samuel replaced Zechariah while that again did not begin to speak. It agrees Proto Gospel from Jacob, Samuel interrogated and reproached Mary for sin of conception and loss of Virginity. In the answer Mary spoke, that she till now is pure. Joseph also has told, that is pure before Mary and in general there was no at home long period. Then Samuel has told: « I Shall give you to get drunk water of accusation before God, and the God will show your sins before your eyes ».

In the beginning it « has given to drink Joseph's accusatory water and have sent on mountain, and it has returned is safe. Has given to drink also Mary, and she has returned is safe ». High Priest Samuel has told: « If God did not show your sin I shall not judge you. Also has released them ».

After court Joseph with Mary and sons has gone on population census to district Bethlehem (province Bithynia). Galilee is Galatia (Galilee) in Asia Minor.

High Priest Samuel it is identified by us with Patriarch of Constantinople Nicholas II Chrysoberges (979–991). Patriarch Nikolas temporarily replaced Patriarch Antony III in 979–980.

It agrees Proto Gospel from Jacob during pregnancy of the Virgin and Christmas in Jerusalem and district of Bethlehem there was big distemper. She is identified by us with revolt Bardas Skleros in 979. Armies rising have besieged Nicaea, capital of district Bithynia (Bible Bethlehem). We shall remind that according to our belief and true, Jesus Christ Zlatoust was born on joint of 979–980.

Figure 11. Christmas (east lunette of the second compartment external narthex). In the center in cave the laying Mary is represented during confinement. From above the ray of light spills on Jesus's cradle, beside two animals warm the Christ the breath. To the left of the Virgin group of four angels, and on the right an angel addressing to shepherds: « him the Angel Also has told: be not afraid; I announce to you great pleasure which will be to all people » (Lucas, 2:11). The inscription is put curve and badly read. In the left bottom part of composition the stage of preparation of bath for baby Jesus is represented. On the right from below Joseph in thoughtfulness is shown. Above heads of angels, Mary, Jesus and Joseph there are nimbuses. At the top of mosaic have two words HXYГC NHCIC. Letters are isomorphic to cloth of mosaic.

We believe that the right long inscription is made by monks or restorers more recently in the good purposes.

In conformity with our representations, Bible poets and seminary students confuse words "cave" and "hole". Finn–Ugric tribes is used the term “Yam” in speech is small settlement or shelter, sometimes fort or fortress. Therefore in the Bible the mention about certain the Yam (Hole), word which began to be translated as cave or usual hole has got. On considered composition it is represented such Yams where in day nursery among animals baby Jesus lays.

It agrees Proto Gospel from Jacob Jesus's birth it was accompanied by the wonderful phenomenon: « Also there were they at cave … and cloud then was removed from cave, and in cave then has begun to shine such light, that they could not bear it, and it is little time after light has disappeared and the Baby has appeared, has left and has taken breast of mother Mary ».

Figure 12. The Herod and magicians (the southern party of the fourth compartment external narthex). On composition at the left three magician skip on horses, above them an inscription. On the right three magicians ask about birth of New Tsar the Herod sitting on throne. Behind it there is policeman. In the right top part there is an inscription: « Came in Jerusalem magicians from the east and speak: Where born Tsar of Judea? [BACIЛEVC T Ѡ IYDAIѠN] » (Matthew, 2:2). Inscriptions are put crookedly, atop of damages of mosaic and are badly read.

We believe that the given inscriptions are made by Monks restorers more recently with good intention. There are also doubts in accuracy of translation of words "Tsar of Judea" most likely it is meant by Tsar of knee of Judas.

Let's put forward hypothesis, on which reigning we shall identify the Herod with Grand Prince Yaropolk of Kiev, which waged internecine war with the brothers Oleg (has been killed in 977) and Vladimir. Distemper has ended with murder of Yaropolk by Varangian on June 11, 980 and accession is Grand Prince Vladimir, father of Mary. Name Yaropolk is written as IAPOПOЛK that is almost identical HPѠД, where word "Yaro" means violent. Yaropolk – Herod has died half-year later after Jesus Christ's birth.

Figure 13. Murder of children and mourning of mothers (the western lunettes of the fifth and the sixth compartment external narthex). It is mosaic with terrible stages of beating of babies is in part damaged. On mosaic with mourning of mothers have inscription « the Voice in the Ram is audible, crying and sobbing, and cries great » (Matthew, 2:18). Letters are isomorphic to cloth of mosaic. The phrase comes to an end words – V PMOC ПOΛVC.

We believe that the inscription means this – In ROME CITY as letters IM are written as M with thick left vertical feature, and also spelling M passes in H. Thus, on a mosaic it is precisely written, that the question is Rome – Constantinople, and at all about city to the Frame which is not present in Palestine, not in Israel. Hence, the cities of Rome and Jerusalem in Proto Gospel from Jacob are identical.

Figure 14. Elisabeth and John (the western lunette, the fourth compartment external narthex). In the primary source the name John and Jacob is mixed. On this composition the stage as Saint Elisabeth with baby John is hidden in cave on the right is represented. At the left the running soldier with sword which searches disappearing people is located. The stage is beaten with humor – the soldier raises sword, and Elisabeth with the son disappears in mountain which covers mother with the child. Elisabeth's image (the person, clothes, a nimbus) is identical to all portraits of Virgin Mary in Church of Chora. Above John's head there is nimbus which on internal structure reminds Jesus Christ's crosswise nimbus. The inscription on mosaic is put roughly, letters of different size and are located around of sword of the soldier. Letters look too new.

It agrees Proto Gospel from Jacob « Elisabeth, having heard, that search for John (its son), has taken it and has gone on mountain. Also searched for places where to hide it, but has not found. Also has exclaimed a loud voice, speaking: mountain of the God, let mother with the son, and the mountain have revealed and have let her ». We shall notice that anywhere there are more than stages with Elisabeth does not meet.

In it the Virgin following is high time has made: « Mary, having heard, that beat babies, having been frightened, has taken the Child and, having swaddled, has put in bullock day nursery ». Completely clearly, what to hide the baby in day nursery strange as children on regular basis cry, therefore to find the child would not make work.

On the other hand, it agrees Jacob is Tsar Herod at all did not search for Jesus, but John who was give birth six months ago by Elisabeth, wife Zohar tried to destroy son of High Priest Zohar by name. We shall result the citation about interrogation by the Herod of priest Zohar: « Herod in the meantime searched for John and has sent servants to Zechariah, speaking: Where you have hidden the son? It has answered, having told: I the servant of the God, am in Temple and I do not know, where my son. And servants came and have told it to the Herod. And the Herod in anger has told: the Son of it will be Tsar of Israel ». Then the Herod again has sent servants to Zechariah: « For now that your life in my authority. And Zechariah has answered: I the witness (martyr) Divine if you will spill blood my, God will accept soul my non guilty you will spill blood before Temple. And before dawn Zechariah has been killed, and sons of Israel did not know, that it has killed ».

We believe that the given event in Proto Gospel from Jacob is interpreted not absolutely truly. Under the Bible legend Elisabeth was 70 years old and should look the old woman. On the contrary, the Virgin was young and good itself. We are convinced that on mosaic the stage on which the Virgin is hidden with baby Jesus in mountain is represented. Actually for the first time in the life the Virgin has put into practice the abilities on an establishment of virtual Cover which has saved its Son from detection and death. It concerns also variant with rescue of baby Jesus in bullock day nursery. In any case, in Proto Gospel from Jacob and on mosaics of the Temple of Chora this first mention of application of the Virgin Cover for protection against external threats.

Figure 15. Doomsday (Deisis), wide dome before the arch of abscissa. In the center of picture of Terrible Court Jesus Christ in an aura of the Chariot of the God sits on throne. To the left of him there is Virgin Mary, and on the right is John Baptist who on behalf of mankind asks at him pardons. On each side compositions are represented two groups of Apostles, and on background – galaxy of angels. All characters have nimbuses above heads.

On frescos and the damaged part, it is direct on cloth of plaster, there are two inscriptions with citations from the Gospel from Matthew (Matthew, 25:34, 25:41): « Come, blessed my Father, inherit an Empire prepared to you from creation of the world! » And « Go from me, damned, in fire eternal, prepared to devil and his angels ». The text is supported with gestures: the right hand specifies to just people way upward and the left hand sends sinners downwards, in Gehenna fiery. Inscriptions were badly kept and are not isomorphic to cloth of fresco.

The Prepared Throne with instruments of Passions, to it is below shown drop Adam and Eva, looking against each other. A number are angels with the weights, weighing oppress people and determining where whom to go – to the right or on the left. From Jesus Christ's left leg the lava expires and jet is direct on surface of sail of the arch. The lava spreads in huge burning lake in which it is sad the connected sinners go.

Figure 16. An angel bearing paradise, wide dome above the arch of abscissa. This picture is located above composition of Terrible Court (Deisis) in the center of the arch. The flying Angel holds in hands something reminding bowl of snail, made of crystal. Paradise is represented as bright space in which there is Sun and Moon, and also set of stars. Such stage in the Byzantium art is unique, reached up to our times. In opinion of other author – Dr. Sergey Ivanov, this stage represents an angel who on the occasion of the termination of times turns off the sky in roll.

Figure 17. Mary and baby Jesus, dome above western compartment of Parecclesion. In the center of dome inside medallion there is an image of Virgin Mary with baby Jesus which bless people both hands. In segments of dome twelve angels are represented. On southern wall of dome premise there is Saint Michael Tornik's epigraph where inside niche there is his tomb.

Assembly with Mother of God, baby Jesus and heavenly troops is based upon sails of dome on which are represented four Byzantium poets composing hymns to the Virgin.

Figures 18. Bible poets, sails of dome of Parecclesion. On pendentive of domes are represented four Bible poets. On northeast pendentive is Saint John, on southeast pendentive is Saint Cosmas, on southwest is Saint Joseph and on northwest is Saint Theophanes is drawn. Poets are represented in an environment of lecterns for the letter, among boxes with writing–materials and inkwells. Saint Joseph's images and Theophanes were kept badly.

Primary sources identify these poets with John Damascus, Cosmas of Maiuma, Joseph the Hymnographer and Theophanes the Traced, as authors of songs and hymns to the Virgin.

We believe that such attribution disputable character has. It is logical to assume, that in the Temple of Chora there should be images of Bible evangelists, instead of usual, let even outstanding Church poets. According to doctrines of Nova Church of Holy Russia Bible events of the New Testament occurred in X–XI centuries, therefore Bible poets should be contemporaries of this period. Even in Russian annals and patericon of Russian monasteries it is spoken that in Russia in XI century Apostles Paul and Andrew preached.

On the basis of these arguments and our belief, we identify Saint John Damascus from frescos of Church of Chora to John VIII Xiphilinos, Constantinople the Patriarch (1066–1075), the outstanding Byzantium lawyer and the writer of time. During lifetime of Constantine IX Monomachos (it is Yaroslav Wise) the Church figure has been approached to court yard and protected rights of Church from feeble efforts of Emperors of New Rome. We count that Saint John Damascus – John VIII Xiphilinos is identified also with Apostle Saint John Evangelist, the spiritual friend and the colleague of Virgin Mary.

We identify Saint Cosmas from frescos of Church of Chora with Cosmas I of Jerusalem, Constantinople the Patriarch (1075–1081). In turn we think that Cosmas I of Jerusalem became prototype Cosmas of Maiuma (Jerusalem), Byzantium Church poet ostensibly VIII centuries.

We count that time of life of Saint Joseph the Hymnographer and Saint Theophanes the Traced is dated wrongly, actually they lived and created in XI century. Theophanes the Traced was monk in Monastery of Chora and in the same place has been buried.

Distinctions in attribution of Bible poets are based that in days of spelling of mosaics and frescos of Church of Chora in Constantinople Church canons and Bible authors of the Gospels were others. Modern attribution of Bible Evangelists as John, Lucas, Mark and Matthew has become current only in XVI century, and has become stronger in XIX century.

Figure 19. Salomon and people of Israel, southern wall of dome premise. On the given composition the stage of transferring of the Ark of the Covenant in Temple Salomon is developed. Christians identified the Ark of the Covenant as Virgin symbol – in fact and it was receptacle divine, as later Virgin Mary.

The first part of stage has an inscription, the Bible not corresponding to Synod translation: « Also happened, that on end of construction of Temple of God of Salomon has called elders of Israel in Zion to transfer an Ark of Covenant Lord from David's city that is Zion. And priests have lifted an ark, tabernacle Certificates » (3 Kings, 8:1, 3). Continuation of stage can be seen on spotlights of an arch between two sites, but here the inscription was not kept. The third stage on east half of southern lunette of dome is addressed by the citation: « And Tsar and all Israel before an ark » (3 Kings, 8:1, 5). Tsar Salomon on an illustration is submitted in an attire of the Byzantium Emperor.

According to our canons of belief, Tsar Salomon is identified with Great Khagane Sulabi, it is the Byzantium Emperor Justinian II Rhinotmetus. Khagane Sulabi by Arabs named Suleiman, one of the first caliphs of Ummayads Empire. Temple of Salomon – Sulabi has been finished in 705 on Temple Mountain and since then costs on the place. The Temple of Israelis is Qubbat As–Sakhrah or the Rock of Cub (Rock of Dome) refers to. Therefore there is nothing surprising in dressing of Salomon, as the Byzantium Emperor.

The image of the Ark of the Covenant does not correspond to modern canons.

Figure 20. Installation of sarcophagus (Ark of the Covenant) in the Temple, the western half of southern lunette. The fourth stage in the western half of lunette is Installation of an ark in Holy of Holies. There is an inscription: And priests have brought in an Ark of Covenant God on his place, to special premise of Temple, in Holy of Holies, under wings of cherubs (3 Kings, 8:1, 6).

The image of the Ark of the Covenant does not correspond to modern canons.

Figure 21. War with Assyrians in Jerusalem, spotlights of the western arch from the southern party of the arch. The composition represents stage of war with Assyrians in Jerusalem. In the foreground cost Saint (at the left) and the Angel (on the right). On the tablet about fresco there is almost not readable inscription: « Therefore so God speaks about Tsar of Assyrians: it will not enter this city » (Exodes, 37:33). The fresco has damages.

Let's pay your attention to the image of Jerusalem – in the center of composition above city gate (above developing mantle of an angel) the icon of the Virgin with baby Jesus is placed, that is it is Constantinople. Hence, antiquated events occur in Jerusalem – Constantinople that contradicts an official history, but corresponds to true and canons of Nova Church of Holy Russia.

The Orthodox Church has proved last two centuries to clergy, parishioners and all worlds that she is the keeper of ancient wisdom and word Divine as the information contains in constant kind of thousand years and not one letter Holy Book and the Holy Legend did not vary for the expired period. For this reason the Church is stronghold of ancient doctrines and refers to orthodox.

However we see that the Church of Chora denies settled paradigm, canons and stereotypes of Orthodoxy and is the alive witness of ancient doctrines of Orthodoxy of Russia of the beginning of XIV century (1315–1321). For preservation of imperishable artifacts of Christianity we are obliged to be grateful to Moslems who have not destroyed, but have reliably fixed pictures and stages of the New Testament in Church of Chora, having painted over their plaster in the beginning of XVI century.

Studying of signs, names and texts of complex of Chora speaks that originally authors of construction have inscribed mosaics and frescos short phrases and words, is sometimes simple symbols. Eventually mosaics and frescos began to receive damages from influence of an atmosphere and regular earthquakes which were showed also on texts of inscriptions. Today we see that the most part of inscriptions is not isomorphic to cloths of mosaics and frescos. Some phrases are written atop of basis of pictures, they are put directly on substrate (plaster). In premise Parecclesion many citations from the Bible are written on tablets near to images. We believe that the majority of inscriptions have been made during later period, than art compositions.

Let's put forward hypothesis on which the majority of inscriptions of the Temple of Chora have been made after capture by Turks of Constantinople in 1453, down to the beginning of XVI century. During this period, in connection with loss by Christians of the control over Constantinople – Jerusalem, the Church started the extensive program from change of doctrines and canons of Christianity as access to Holy Places of Constantinople appeared is closed for believers. At the end of XV century new texts of Holy Book of Old and New Testament began to affirm.

With good intentions monks and attendants of monastery of Chora began to supplement inscriptions of mosaics and frescos with citations from the Bible to order dogma. From the moment of drawing pictures has passed about 300 years. Having seen these works, the authority of Ottoman Empire has disposed to stop distortion of Orthodoxy and new spelling of icons, as the acts contradicting to the Islam. Therefore the monastery has been closed, all images of the Temple of Chora have been closed by plaster, and the Church – is transformed into mosque Kariye.

In 1948 Turkish authorities have made the decision to close mosque Kariye, to restore internal furniture of Church and to make of it museum of the Byzantium art. In 1948–1958 in Temple work restorers Thomas Whittemore and Paul A. Underwood which also with good intention could bring in the mite on restoration of ostensibly lost Bible citations which located all Bible events in Palestine worked.

Despite of efforts of censors, they did not manage to clean true Bible history from Church of Chora. Thank God, at them the hand has not risen to edit stages of mosaics and frescos.

We list different interpretations in names, pictures and plots of Church of Chora with the modern version of Christianity.

1. All inscriptions, names and names are made in Church Russ language.

2. Images do not contain Jewish symbolic and David's six–coal stars, but there are octagonal stars of Russ and various projections of quantum object – Chariot of the God or Cub on plane. Prophets, High Priest, Mary and Jesus are not Jews, but Israelis, ethnic Finn–Ugrian.

3. Figures of Bible Prophets, Tsars, Saints, Flatterers, Apostles, Virgin Mary and Jesus Christ are dressed in rich Byzantium clothes of the end of the first Millennium, but did not start Christian epoch. Images of subjects of life, books, rolls, hall’s, Temples, buildings and cities also do not correspond to the beginning of new era.

4. The majority of Apostles and Saints are represented by Europeans, but not Semites from Palestine, only the small part of characters has strongly pronounced east features.

5. The list of ancestors of Jesus Christ from Adam up to Jacob considerably differs from modern canon.

6. The list of ancestors of Tsars – Prophets from David up to Salaphiah is shorter on Tsar Joachim. Tsar David have original name DAD (Father).

7. Meeting Joachim and Anna has taken place at Golden Gate which is only in Constantinople.

8. Magicians and priests in the Temple bless girl Mary Christian sign of the cross, i.e. the Christianity existed till birth of the Jesus Christ.

9. Mary was not married to Joseph, but the Virgin has been transferred to Joseph's family for residing and preservations in purity.

10. Mary has become pregnant, just drink waters from the Holy Well where has received the Annunciation.

11. The inscription on mosaic about census in Judea does not correspond to the validity. Actually the stage of court in the Temple above Joseph and pregnant Mary is represented.

12. Jesus's Christmas has taken place not in cave, and in hole, and the word Yam means the fort or small shelter in Ugrian language.

13. On stages of beating of babies it is spoken about women of Rome, i.e. Constantinople.

14. There was no flight of Holy Family to Egypt.

15. During beating babies Mary has hidden Jesus in bullock day nursery or together with it was covered in cave, for the first time having created the Cover of the Virgin for protection herself and baby Jesus.

16. On mosaics and frescos only place names are specified in Bible citations which are traced considerably after date of creation of compositions.

17. Jesus Christ is represented by the person of very high growth.

18. Paradise was represented Byzantines as the universe – crystal snail in heavens, and not Heavenly Jerusalem.

19. Bible poets admitted Saints John, Cosmas, Joseph and Theophanus. Anywhere there are no images and names of initial Evangelists – Saints John, Lucas, Mark and Matthew.

20. Salomon was considered as the Byzantium Emperor, and the Ark of the Covenant was transferred to the Temple to Constantinople – Jerusalem.

21. The image of the Ark of the Covenant does not correspond to modern canons.

22. Jerusalem was represented as Constantinople as above Golden Gate there was an icon of Virgin Mary with baby Jesus is symbol of capital.

Research of artifacts of Church of the Christ Savior in Chora (Church of Chora, XIV century) has confirmed conformity of canons of Nova Church of Holy Russia to doctrines of Byzantium Orthodoxy and has found out the numerous facts of falsifications and forgeries Holy Book and the Holy Legend at formation of modern Christian canons.

Pontifex Maximus and Grand Prince,
Professor of theology, Doctor of theology and Doctor of historical sciences,
Valeriy Viktorovich Kubarev

20.12.2014.

The literature:

[1] Picturesque Gospel of Church of Chora in Istanbul, Kubarev V.V., Article, 15.09-08.10.2014, link: http://www.kubarev.ru/en/content/412.htm .

[2] Attribution of Rurikovich and Emperors Lecapenos, Kubarev V.V., The report at XXVIII International conference on problems of the Civilization, 26.04.2014, Moscow, RosNoU, link: http://www.kubarev.ru/en/content/402.htm .

[3] The Bible, Old Testament and New Testament. Gospels from Saints Lukas, John and Matthew.

[4] Ибн Хишам «Рассказанное со слов аль-Баккаи, со слов Ибн Исхака аль-Мутталиба» (утверждается, что это первая половина VIII века). Перевод с арабского языка Я. А. Гайнуллина 2002, Издательский дом «УММА», 2003.

[5] «Айя-София и Карие», Text Ali Kilickaya, photos Erdal Yazici and Ismail Kucuk, Doga Basim, Turgut Ozal Cad. Celik Yenal is Mercezi, No. 117 Ikitelli – Istanbul. Copiring Silk Road Publications, Istanbul – Turkiye, ISBN 978-605-5629-16-8.

[6] In searches of Constantinople, Sergey A. Ivanov, Publishing house Vokrug Sveta, M., ISBN–978–5–98652–382–8, 2013.

[7] Proto Gospel from Jacob.

[8] Stories of time years (STY) of Nestor.