Picturesque Gospel of Church of Chora (Kariye) in Istanbul

Present clause is devoted to restoration of true evangelical events of the New Testament with the help of the kept mosaics and frescos of Church of the Christ Savior in Chora (Fields) or Church of Chora in Constantinople (XIV century). The creed and doctrines of Nova Church of Holy Russia are based that Christ Passions occurred in Constantinople and his vicinities, and Anna, Virgin Mary and Jesus Christ is family of Princes of Russ Rurikovich and Emperors of the Macedonian dynasty of New Rome. We are convinced that after capture of Constantinople by Turks in 1453 Holy Book and the Holy Legend with good intentions have been forged by the Christian world in XVI–XIX centuries, and all Bible events are transferred to Palestine. Due to that Moslems in the beginning of XVI century have covered with plaster of mosaic and fresco of Church of Chora and the Temple of Holy Sofia, alive pictures of evangelical events X–XI of centuries up to now have reached and we have opportunity to compare the last canons with modern doctrines.

The name of complex of Chora occurs that before erection of the city walls kept nowadays Emperor Theodosius II Church stood outside of limits of capital, to the south from the Gold Horn. The kept building of Temple is constructed Maria Doukas by efforts, mothers–in–law of Emperor Alexey Comnenus, in 1077–1081. However half–centuries later from earthquakes the part of vaults has fallen and younger son Alexey has paid regenerative works.

The Church of Chora has been again reconstructed after coming to power of dynasty Palaiologos per 1315–1321. Ktitor is acted Great Logothete Theodore Metochites. It has leaded last years in monastery the usual monk. His portrait on one of mosaics up to now has reached. Critics consider, that the mosaics ordered by him and frescos are unsurpassed art achievement Palaiologos’s of revival. During time of siege of Constantinople Turks in 1453 in Temple had been brought an icon Heavenly cities Protector – an icon of Mother of God Hodegetria and monastery still worked some time. However in half–century Turks make up plaster all images of the Byzantium period to turn Church into mosque Kariye–Camii. The Church of Chora has returned by life as island of Byzantium in the middle of modern Islamic city as result of restoration of 1948–1958.

Regenerative works have lead archeologist Thomas Whittemore (Byzantine Institute of America) and Paul A. Underwood (Dumbarton Oaks Center for Byzantine Studies). Since 1948 the ancient construction has ceased to function as mosque and in 1958 has opened as museum of the Byzantium art – Kariye Müzesi. We shall notice that Thomas Whittemore investigated and restored mosaics of the Temple of Holy Sofia since 1932 down to the beginning of works in Church of Chora. We are sure, that the American archeologist has applied the hand on the main kept artifacts of Orthodox Constantinople.

Before the description and the analysis of mosaics and frescos of Church of Chora we pay your attention to the fact of that all kept and restored inscriptions are made in Church language – combinations of classic language of Russ or literally Great language and the Greek language. Names, monograms and are easy read to an inscription the modern Russians in view of that some words have the old value lost nowadays. These written signs are not Latin, Hebrew, Greek or Aramaic the alphabet. Letters priori speak that Church is Old Russian was religious language of Patriarchs of Christianity and Holy Family. We shall remind that according to our researches Old Russian there is language of ethnic Ugrian (Haplogroup N1) from Clan of Russ – Flavius.

In our research we shall state official treatment of inscriptions (kept and restored by restorers) both events on mosaics and frescos, and then we shall give the comments and corrections. At the end of research we shall show examples of obvious forgeries and reductions of inscriptions strict conformity with working version of the Bible Legend. We hope that at archeologists and restorers Thomas Whittemore and Paul A. Underwood in archives photos of initial inscriptions of mosaics and frescos were kept.

For basis of the official description of mosaics and frescos of complex of Chora we shall take the book Haia–Sofia and Kariye, Text Ali Kilickaya, photos Erdal Yazici and Ismail Kucuk, Doga Basim, Turgut Ozal Cad. Celik Yenal is Mercezi, No. 117 Ikitelli – Istanbul. Copiring Silk Road Publications, Istanbul – Turkiye, ISBN 978–605–5629–16–8.

Let's designate on the drawing of Church of Chora of mosaic and fresco in the following list:

1. Jesus Christ 28. The Herod and magicians
2. Mary and Angels 29. Questions of the Herod
3. Jesus Christ and Theodore Metochites 30. The order on murder of babies
4. Saint Peter 31. Murder of children
5. Saint Paul 32. Mosaics are damaged
6. Jesus Halke 33. Mourning of mothers
7. Jesus Christ's ancestors 34. Elisabeth and John
8. The Virgin and the baby the Christ 35. Return to Nazareth
9. Reject of presents 36. On way to Jerusalem
10. Joachim in desert 37. The period of youth of the Christ
11. A stage of good message 38. John, Jesus and the Devil
12. Meeting Joachim with Anna 39. Wedding in Cana
13. Nativity of Virgin Mary 40. Healing leper
14. First steps of the Virgin 41. Mosaics are damaged
15. Blessing Mary 42. Healing paralyzed and Samarian girl
16. Display of love to Mother of God 43. Healing blind and dumbs
17. The Mother of God in Temple 44. Healing of two blind
18. Feeding the Mother of God 45. Healing of mother–in–law Peter
19. Reception of wool by Mary from Temple 46. The woman looking for healings
20. Zechariah and twelve staffs 47. Healing of the person with sick hand
21. Mary Joseph's transfer 48. Healing leper
22. Joseph withdraws Mary to itself home 49. Healing of sick crowd
23. A plot of signs 50. Saint Andronicus
24. Joseph's farewell to Mary 51. Saint Tharacos
25. Joseph's dream and flight to Egypt 52. Dormition of Virgin
26. Population census 53. Jesus Christ
27. Christmas 54. Hodegetria of Mary

Further, we shall designate frescos on the separate drawing Parecclesion in the following order:

55. Anastasias (Revival) 68. People going to paradise
56. Archangel Michael 69. Mary and baby Jesus
57. Revival of daughter of Jared 70. Saint John Damascus
58. Revival of the son of the widow 71. Saint Cosmas
59. The image of six Saint 72. Saint Joseph
60. Doomsday (Deesis) 73. Saint Theophany
61. An angel bearing paradise 74. Dream of Jacob
62. Abraham and Lazar 75. Moses in bushes
63. The rich man in hell 76. Salomon and people of Israel
64. An angel and the child 77. Installation of sarcophagus in Temple
65. Angels and deceased 78. War with Assyrians in Jerusalem
66. People in hell 79. Aarons and his children before an altar
67. People bearing sarcophagus 80. Eleousa Mary

Figure 1. At an input in Temple we see Jesus Christ Pantocrator, external narthex. In his left hand the Holy Book. The right hand Jesus blessing people. Around of head nimbus and an inscription « Jesus Christ, shelter alive » (IC XC HXѠPA TѠN ZѠNTѠN). We see that the lost letters on mosaic add black paint.

Figure 2. Opposite to Jesus Pantocrator image have the mosaic Mary and Angels (external narthex) is located. In the center of composition Virgin Mary during pray. Before Mary or inside it as the universe child Jesus with symbol of imperial authority is represented. The inscription on mosaic (MP ӨV HXѠRA TY IAXѠPTY) means « the Mother of God, receptacle of non–spacious ». On each side from Mary two angels are represented. Inscriptions are looked much fresh, than the damaged mosaic.

Figure 3. Above the western gate of Temple there is mosaic on which Theodore Metochites presents model of Church of Chora to Jesus Christ, internal narthex. The inscription around of Jesus is identical to the Figure 1. The paint looks fresh, than cloth of mosaic.

Figure 4. Saint Peter is represented costing with keys from paradise and roll in hands (internal narthex). Peter's hair of straw color, appearance is European. The inscription on stylistics differs from the first figures. It is written ОАГ ПЕТРАС. Letters of an inscription thin, remind record of name by conventional signs.

Figure 5. Saint Paul is represented costing (internal narthex). In the left hand it holds the Holy Book, and the right hand blessing. Fingers of blessing hand are combined, as at Jesus Christ as are mudra of love. The person at Paul is Semitic. It is written ОАГ ПАVЛОС.

It agrees Stories of time years (STY) of Nestor, 6406 (898), Apostle Paul preached Christianity among Slavs and Russ. Within the framework of traditional history it is impossible. On our reconstruction of history and the annalistic facts Apostles Paul and Andrew were in Russia in XI century.

Figure 6. Jesus Halke is represented with praying Virgin inside the arch (internal narthex). To the left of Mary in praying pose Emperor Isaac Comnenus is represented. To the right of Jesus Christ nun Melanie (Mary) who had the daughter to Emperor Michael Palaiologos (1259–1282) is represented. The inscription around of Jesus Christ is lost, but slightly brought on the stayed plaster. Letters IC XP OXAL КЕ were kept. On cloak of the Virgin the stylized crosses as octagonal stars of Russ are represented.

From below mosaics were kept two inscriptions: « the Son of the highest Emperor Alexey Comnenos, Isaac Porphyry born » and « … Andronicus Palaiologos, Khaness of Mongols, nun Melanie ».

Figure 7. In a southern part internal narthex on dome there are images of Jesus Christ and his ancestors. Inside medallion Jesus is represented around of him equal shares of dome from top to down locate images of ancestors of Jesus. In the top part of 24 figures is of ancestors from Adam and up to Jacob. In the bottom part twelve sons Jacob and one son Fares (however, actually, there 15 names) are drawn. We shall result the list of ancestors of Jesus.

24 forefathers are specified in the following order, counter–clockwise is Adam, Seth (CЋ), Noah, Kenan (last letter N is visible only), Mahalalel, Jared, Lamech, Shem, Japheth, Raphael, Sal (Sall), Eber (Ebr), Serug, Nahor, Terah, Abraham, Isaac, Jacob, Peleg, Reu, Methuselah, Enoch, Enos and Abel.

Names are written widely, the part does not find room on the allocated space. Sometimes letters are written atop of plaster where the mosaic has fallen off from the arch. The paint at the majority of names looks fresh, letters are put roughly. Adam differs from other figures staff in the right hand and long beard.

Names of others of 15 ancestors are specified in sequence – Ruben, Simeon, Levi, Judas, Zebulon, Issachar, Dam, Gad, Asher, Naphtali, Joseph, Benjamin, Peres, Zechariah and Hezron.

The bottom names are written as conventional signs as places for full words are not present. From below practically it’s not visible inscriptions and letters. It is necessary to trust opinion of authors of the book and restorers by results of their researches. We shall note that in the book there is weight of mistakes, both grammatical, and semantic.

Figure 8. In southern part internal narthex on dome are Mary and baby Jesus and his ancestors. Inside medallion Virgin Mary and baby Jesus is represented with is familiar to imperial authority in the left hand. Around of medallion between shares of dome from top to down there are two lines of Tsars of Prophets and Jesus Christ's ancestors. In the top number there are figures of 16 Tsars–Prophets from David up to Salaphiah counter–clockwise: David (DAD), Salomon, Rehoboam, Abijah, Asa, Jehoshaphat, Jehoram, Uzziah, Jotham, Ahaz, Hezekiah, Manasseh, Amon, Josiah, Jeconiah and Salaphiah (Salatil). Names are written equally, there are no names with carrying out of letters upwards in the second number.

In the bottom part of a mosaic 11 Tsars of Prophets are located: Kenan, Uzziah, Michael, Daniel, Joshua, Moses, Aaron, Nur, Samuel, Job and Melchizedek.

Names of Tsars are broken into two parts – on the right and to the left of heads. From below to disassemble full names it is impossible. Damages of dome and mosaic coincide with damages of letters of inscriptions.

Let's lead the analysis of the information on Figures 7 and 8. We shall reduce all data of names of Tsars of Prophets and Jesus Christ's ancestors in our Table No. 1 Genealogic tree of Patriarchs and Tsars which we have published in work Attributions of Rurikovich and Emperors Lecapenos, Kubarev V.V., The report at XXVIII International conference on problems of the Civilization, 26.04.2014, Moscow, RosNoU.

It turns out, that the list of ancestors of Jesus from 24 Tsars is not direct line of family tree. At the list there are some pairs of brothers of one knee. Neighbors of Adam of steel his sons – on the right Seth and at the left Abel. Why that near to Seth it is located Noah. Cain it is not included in the list. Then there is pair brother Shem and Japheth. We believe that Peleg and Rau are not Jesus Christ's lineal descendants, but are present at the list as Tsars and relatives.

We identify Prophet Sal (CAΛΛ) to son of Heracles – Hyllus (ΥΛΛ). Earlier, in the researches, we have missed this moment, but now we bring specification in Jesus Christ's family tree on our reconstruction. Leaves, that Jesus Christ is 40 knees from Adam.

Comparison of ancestors of Jesus according to mosaic of the Figure 8 with official family tree of the Christ reveals difference in the smaller party on one ancestor Joachim. The sheet of names corresponds to movement counter–clockwise in both versions, behind exception Noah. We shall note that we deal with names of the Israeli Tsars, instead of with Jesus's direct ancestors. We believe that names of the Israeli Tsars correspond to names of Tsars of Great Bulgaria which was Great Israel in the past. Names of Tsars of the Scripts are religious names Khaganes of Bulgarians, ethnic Ugrian Russia. However direct similarity in pronunciation and spelling of names is not present.

Careful visual studying of inscriptions of domes of the Figure 7 and 8 speaks that inscriptions were restored and could be written anew, therefore degree of trust to this information rather modest.

Further we shall use also comments to mosaics and inscriptions on them made in the book In searches of Constantinople, Sergey A. Ivanov, Publishing house Vokrug Sveta, M., ISBN–978–5–98652–382–8, 2013. Translations of the citations traced on mosaics and frescos, are executed by the author of the book Dr. S.A. Ivanov.

Figure 9. On throne sits High Priest Zechariah (Zohar) with the raised hands (northwest sail of northern dome internal narthex). It rejects gifts to Temple from Joachim as he does not have child. We pass to Jesus Christ's biography, since the moment of birth of Virgin Mary. According to opinion of the seminary students, the history submitted on mosaics is colorful retelling Proto Gospel from Jacob.

On mosaic there is only one short inscription НГРѠСЕN meaning, probably, ignoring of gifts. To tell the truth, itself Joachim on mosaic it is not represented.

On our reconstruction of history Joachim it is identified with the spiritual instructor of Empress Anna, Bishop Joachim from Korsun [Chersonesus] (?–1030), Archbishop of Novgorod becoming from 988. Joachim has constructed in Great Novgorod Church Joachim and Anna, and also has written Joachim’s annals of Russ.

Zechariah (Zohar) it is identified by us with the Patriarch of Constantinople Antony III of Constantinople (974–979) which has supported revolt Bardas Skleros. Prelate has died soon after renunciation of throne though has according to some information lived up to 983.

Figure 10. Grieved Joachim sits in desert in bushes (southeast sail of northern dome internal narthex). To the right of him two shepherds are represented. The mosaic has from above is damaged. Atop of plaster and the rests of mosaic the inscription explaining sufferings Joachim is put. We believe that the inscription is made recently in good intentions by restorers of mosaic. It agrees Jacob is Joachim went to desert fast and pray 40 days where has found message about Anna give birth.

According to our reconstruction, we believe that Joachim it is the monk who participated in destiny of Empress Anna, wives of Russian Prince Vladimir – Basil, as the confessor. Therefore on all mosaics Joachim it is dressed as the monk in simple clothes. Even at shepherds clothes the rich man. Physical father of the future Virgin is Prince Vladimir.

Proto Gospel from Jacob does attempt to give fine appearance Anna's to spiritual friendship and Joachim that Anna has husband Vladimir conducting at that time not absolutely decent way of life.

Figure 11. Get stage of good message on which the angel is represented, informing to Anna news about occurrence in it of the child (lunette of east wall, internal narthex). At the left the house in which cellar sits Joachim in monastic clothes is represented. Anna is dressed in purple silk raincoat which shows its status of rich madam. On the right on mosaic the pool and trees is located. Above the house the short inscription explaining stage is put: « you will conceive and will give birth, and your Clan », HA ANNA ГPOCEVXOMC NIENTѠПPA Λ.CѠ will be nice all over the world. Letters and mosaic have isomorphic damages by time.

Figure 12. Anna, who has received message about birth of the child, informs her Joachim which embraces and welcomes Anna (a lunette of east wall, internal narthex). The meeting has taken place at Golden Gate. On mosaic short inscription НСYΛΛНΨIСТӨКОY: Conception of the Virgin. Letters are isomorphic to cloth of mosaic.

Figure 13. Mary's Nativity, after Clans Anna lays in bed, around of it there are four women (east lunette of the second compartment, internal narthex). They prepare for cradle for the baby. The young man costs with fan. In right corner the young man prepares for bath for Mary who is held in hands by one more woman. In doors costs Joachim and submissively observes of an event. Around of Anna's heads, Joachim and Mary nimbuses are represented. The furniture of premise can be named magnificent. Only Empress presumed to itself such birth and so much servants. On mosaic has from above short inscription НГЕNVНСIСЂСӨКY. Letters are isomorphic to cloth of mosaic.

Figure 14. First seven steps of the Virgin (east spotlights, internal narthex). At the left there is nurse with open hands and tries to help Mary who is taking the first steps. Anna on the right sits and invites hands Mary. At Anna and Mary have above heads nimbuses. On mosaic has from above short inscription НЕПТАЗНМАТIЗYСА. Letters are isomorphic to cloth of mosaic.

Figure 15. On internal narthex in the center of the arch, there is decorative medallion as one of flat projections of the Chariot of the God. In the western part of the arch three sit High Priest, blessing baby Mary two finger sign of the cross. To the left of monks Joachim bears Mary on hands. Above heads Joachim and Mary there are nimbuses. On mosaic has from above two short inscriptions НЕVΛOЂCIC TѠNIEPEѠN. Letters are isomorphic to cloth of mosaic.

In the book – primary source the wrong comment on which in Temple to monks has brought Jesus, instead of Mary is given. The most surprising in mosaic that all priests have combined fingers of the right hand in two finger Christian Mudra for blessing Mary.

Figure 16. Display of love to Mother of God is from Joachim and Anna. In east part of the arch, internal narthex there is picture on which are represented Joachim and Anna which iron Mary located between them. At the left there is woman, and on the right in building there is young man. On mosaic has from above short inscription НКОΛАКҀА ТѠ ӨKOV. Letters are isomorphic to cloth of mosaic.

Figure 17. Introduction of the Virgin in the Temple (the arch central, the third compartment of internal narthex). High Priest Zechariah (Zohar) presents the Temple Mary who is represented before Joachim and Anna. On the second plan Mary sits on throne and accepts I peep from an angel. Two women participate in ceremony – on the right and to left of center of composition. Above picture has an inscription – ТААЂА ТѠ NАГIѠN – Holy of Holies. Letters are isomorphic to cloth of mosaic.

According to our representations, Anna and its daughter Mary had problems of house as – to Vladimir, the son, instead of the daughter was necessary for father Mary. Therefore has been solved to transfer only child Anna in the Temple for execution of outlines of Prophets.

Zechariah has been married to Elisabeth is relative Anna. Later at Zechariah and Elisabeth it is pure son John Baptist, christened Jesus Christ in waters of Jordan will be born.

Figure 18. Mary's feeding by an angel (east spotlights of an arch internal narthex). The Virgin sits on throne with high tent. Mary is fed with an angel, and to the nurse near throne watches process of feeding. Above picture has inscription HӨKOCДEXOMENHTAP TONПAPATYAЂE. Letters are isomorphic to cloth of mosaic.

Figure 19. Reception of purple by Mary from Temple (lunette above door internal narthex). In the book Haia–Sofia and Kariye it is written, that the Virgin has received wool for knitting coverlet of the Temple. But in Proto Gospel from Jacob she has received spin purple and crimson dye for curtain of Temple. For Mary Virgins cost and observe of an event. It is visible that Mary is lower than other girl’s one and half heads, i.e. she stills absolutely the child. On mosaic has long indistinct inscription in three lines with the detailed description of an event. The given inscription raises the doubts in its authenticity.

Figure 20. The mosaic represents stage of choice of the groom for Mary (the western spotlights of cross–section arch internal narthex). The Virgin sits under the arch and before it on an altar twelve staffs lay. In lap costs High Priest Zechariah and prays. In the explanatory to the book it is spoken, that Mary should leave in marriage for at whom the staff will blossom. However at Jacob it is told, that when Mary it was executed twelve years that she has not profaned relics, attendants of the Temple have decided to transfer her in family widower to residence, thus Mary should keep Virginity. To name such action by delivery in marriage it is incorrect. It is no wonder in fact even in those days the twelve–year girl cannot leave in marriage. Actually the Temple transferred the Virgins who have devoted life to the God, to care in incomplete families of Israelis.

Figure 21. Mary Joseph's transfer (the western lunette of the second compartment internal narthex). Before an altar has costs Zechariah and small Mary. Zechariah stretches the blossomed staff to Joseph who in confusion goes to Zechariah and Mary. Around of heads Zechariah, Mary and Joseph nimbuses are represented. Mary on growth almost is twice lower than Joseph. On mosaic have inscription HПPOC TO NIѠCHФПNPAД OCIC. Letters are isomorphic to cloth of mosaic.

However it agrees Jacob, Zechariah has distributed staffs to 12 applicants for Mary's care. When Joseph has taken staff from hands Zechariah dove has taken off from under staff and has risen above Joseph's head. This phenomenon have recognized as sign. Zechariah has told to Joseph: « You are elected to accept to yourself and to observe the maiden Sirs ». Joseph objected: « I have sons, and I am old, and she is young, I do not want to be laughing–stock at sons of Israel ». Then Joseph has reconciled and has allocated Mary to itself in the house. However events curtain for the Temple occurred to spinning after Mary's transfer to Joseph's family, therefore the sequence of mosaics is broken.

We believe that Mary could not live in the parental house as father Vladimir was not glad to the daughter, therefore has been solved to transfer Mary at alive parents in another's family to care.

Figure 22. Joseph withdraws Mary to itself in the house (the western spotlights of the most northern cross–section arch internal narthex). On mosaic Joseph and his adult son are represented Mary of small growth. Above Mary and Joseph's heads nimbuses. Person Mary looks to nurseries.

It agrees Proto Gospel from Jacob, Joseph has told Mary that leaves house to do the carpenter work and will return, when it will be necessary for the God. It turns out, that Joseph was absent 4 years while Mary 16 years old was not executed.

Figure 23. Mary's annunciation (southwest sail of dome of the first compartment internal narthex). Mary is represented at well, whence types water. The angel comes nearer to it and informs it on fast occurrence of the child. Mary's surprise of this message is well visible.

The given annunciation is contradicts modern initial New Testament to the text. However according to doctrines of Nova Church of Holy Russia, the given mosaic shows the moment of conception of the Virgin which has become pregnant from the use of water of the Holy Well of the Yam the Gold Cup in Pereyaslav Princedom of Russia on the river Kubra.

At this time Zechariah was dumb, and his wife Elisabeth was pregnant John. Elisabeth drinks from the same source, as later Mary. When Mary has received the annunciation has gone to Elisabeth on visit. At Mary's meeting with Elisabeth the child in belly of this has leapt and has as though blessed Mary who has lived on a visit 3 months. Sixteen–year Mary's stomach was approximated, and it became impossible to hide it.

Figure 24. Joseph's farewell to Mary (the western lunette of the first compartment internal narthex). On mosaic sad Mary, by growth from son Joseph, the Joseph, blessing sign of the cross Mary, and son Joseph who was dressed on backpack with tools is represented. Above Mary and Joseph's heads there are nimbuses. Above mosaic have long, indistinct inscription. There are bases to doubt of this antiquity. The right part of stage is damaged, probably, returning Joseph and his meeting with pregnant Mary there has been represented.

Figure 25. Joseph's dreams and flight to Egypt (northern lunette of the first compartment external narthex). On mosaic the sleeping Joseph and an angel coming nearer to it with message about Jesus's birth at the left is represented. More to the right cost Mary with the woman. Above stage have long, indistinct inscription. It is considered, that there it is written « Angel of God was to it in dream and has told: for born in it from Holy Spirit » (Matthew. 1:20). At the left the stage of travel to Bethlehem is represented – Joseph accompanies with Mary on donkey (though the horse there is shown), and ahead there is son Joseph. Mary and Joseph with nimbuses are above head.

Above the right stage have long, indistinct inscription « There was as well Joseph from Galilee, from the city of Nazareth, to Judea, in city of David, the named Bethlehem ».

The official explanation of picture does not correspond to the validity and Proto Gospel from Jacob. According to last Joseph in dream the angel who has told was: « be not afraid for Virgin: for that in It, from Holy Spirit » and further « she will give birth to the Son, and you will name his Jesus ». In the right part of mosaic have travel of family of Joseph and Mary to district Bethlehem is really shown. Any David and Nazareth there it is not mentioned. There is no also mention of flight to Egypt as in it there was no necessity.

In the mentioned above sources it is spoken, that mosaics with stages of flight to Egypt were not kept, but they physically are not present between other stages, located in the logic order according to events Proto Gospel Jacob.

In compliance with our doctrines, the district Bethlehem is a province of the Roman Empire Bithynia. In this area there was city Prusa – an ancient throne of the Clan of Russ and, accordingly, David's city in which all should be registered Russian Princes. Tsar David is identified by us with Great Khagane Kubrat; it is Emperor Heraclius August Flavius. Capital Bithynia was Nicaea, considered the second city of Empire after Constantinople. Then capital Bithynia became Nicomedia. We believe that flight of family of Joseph to Egypt is represented by late falsification of New Testament events.

Figure 26. Census in Bethlehem in Judea (east lunette of the first compartment external narthex). According to the explanatory to a mosaic, at that time Emperor August has issued the decree about carrying out of population census in all territory of Roman empire. It was the first census during board of Quirinius in Syria. Therefore everyone has gone to the native city for registration. Joseph with sons and Mary has gone from the city of Nazareth in Galilee to Judea, in David Bethlehem city as it belonged to David's Clan. It is considered, that in picture governor Quirinius, near to it scribe and the soldier in the expensive clothes, considering paper and marks doing in it is represented. More to the right there is Mary who has lowered in confusion of an eye downwards, and in distance more to the right, there is Joseph bowing to the governor. For Joseph there are his sons. Quirinius addresses to Mary and Joseph, and Joseph in bow answers it gesture. Above stage there is an inscription with the citation from Lucas: « To enter the name with Mary, betrothed to it wife which was pregnant » (the Lucas, 2:5).

We believe that the given description of a mosaic and an inscription are forged in the good purposes by monks or restorers. Anywhere in the Gospel it is not told, that Mary and Joseph with sons were on reception at governor Quirinius during census. And what for to the governor of Syria personally to participate in census of poor inhabitants of Judea?

Actually the given mosaic represents stage of court which has arranged High Priest Samuel on the fact of detection of pregnancy of Mary and Joseph's fall or his sons. At that time Samuel replaced Zechariah while that again did not begin to speak. It agrees Proto Gospel from Jacob, Samuel interrogated and reproached Mary for sin of conception and loss of Virginity. In the answer Mary spoke, that she till now is pure. Joseph also has told, that is pure before Mary and in general there was no at home long period. Then Samuel has told: « I Shall give you to get drunk water of accusation before God, and the God will show your sins before your eyes ».

In the beginning it « has given to drink Joseph's accusatory water and have sent on mountain, and it has returned is safe. Has given to drink also Mary, and she has returned is safe ». High Priest Samuel has told: « If God did not show your sin I shall not judge you. Also has released them ».

After court Joseph with Mary and sons has gone on population census to district Bethlehem (province Bithynia). Galilee is Galatia (Galilee) in Asia Minor.

High Priest Samuel it is identified by us with Patriarch of Constantinople Nicholas II Chrysoberges (979–991). Patriarch Nikolas temporarily replaced Patriarch Antony III in 979–980.

It agrees Proto Gospel from Jacob during pregnancy of the Virgin and Christmas in Jerusalem and district of Bethlehem there was big distemper. She is identified by us with revolt Bardas Skleros in 979. Armies rising have besieged Nicaea, capital of district Bithynia (Bible Bethlehem). We shall remind that according to our belief and true, Jesus Christ Zlatoust was born on joint of 979–980.

Figure 27. Christmas (east lunette of the second compartment external narthex). In the center in cave the laying Mary is represented during confinement. From above the ray of light spills on Jesus's cradle, beside two animals warm the Christ the breath. To the left of the Virgin group of four angels, and on the right an angel addressing to shepherds: « him the Angel Also has told: be not afraid; I announce to you great pleasure which will be to all people » (Lucas, 2:11). The inscription is put curve and badly read. In the left bottom part of composition the stage of preparation of bath for baby Jesus is represented. On the right from below Joseph in thoughtfulness is shown. Above heads of angels, Mary, Jesus and Joseph there are nimbuses. At the top of mosaic have two words HXYГC NHCIC. Letters are isomorphic to cloth of mosaic.

We believe that the right long inscription is made by monks or restorers more recently in the good purposes.

In conformity with our representations, Bible poets and seminary students confuse words "cave" and "hole". Finn–Ugric tribes is used the term “Yam” in speech is small settlement or shelter, sometimes fort or fortress. Therefore in the Bible the mention about certain the Yam (Hole), word which began to be translated as cave or usual hole has got. On considered composition it is represented such Yams where in day nursery among animals baby Jesus lays.

It agrees Proto Gospel from Jacob Jesus's birth it was accompanied by the wonderful phenomenon: « Also there were they at cave … and cloud then was removed from cave, and in cave then has begun to shine such light, that they could not bear it, and it is little time after light has disappeared and the Baby has appeared, has left and has taken breast of mother Mary ».

Figure 28. The Herod and magicians (the southern party of the fourth compartment external narthex). On composition at the left three magician skip on horses, above them an inscription. On the right three magicians ask about birth of New Tsar the Herod sitting on throne. Behind it there is policeman. In the right top part there is an inscription: « Came in Jerusalem magicians from the east and speak: Where born Tsar of Judea? [BACIЛEVC T Ѡ IYDAIѠN] » (Matthew, 2:2). Inscriptions are put crookedly, atop of damages of mosaic and are badly read.

We believe that the given inscriptions are made by Monks restorers more recently with good intention. There are also doubts in accuracy of translation of words "Tsar of Judea" most likely it is meant by Tsar of knee of Judas.

Let's put forward hypothesis, on which reigning we shall identify the Herod with Grand Prince Yaropolk of Kiev, which waged internecine war with the brothers Oleg (has been killed in 977) and Vladimir. Distemper has ended with murder of Yaropolk by Varangian on June 11, 980 and accession is Grand Prince Vladimir, father of Mary. Name Yaropolk is written as IAPOПOЛK that is almost identical HPѠД, where word "Yaro" means violent. Yaropolk – Herod has died half-year later after Jesus Christ's birth.

Figure 29. Questions of the Herod (east lunette, the fifth compartment external narthex). The mosaic is half lost. At the left side the image of Herod on throne and the policeman behind it was kept. There is an inscription: « And, having collected all High Priest and scribes national, [Herod] asked them: where should be born to the Christ? » (Matthew, 2:4). The inscription does not cause any trust.

Figure 30. The order on murder (southern lunette, the sixth compartment external narthex). After carrying out of investigation, the Herod is convinced, that newborn is in vicinities of Bethlehem. It orders to kill all boys from two years and is lower. On stage at the left the Herod sits on throne, at it the policeman. In the middle of composition soldiers listen to the order of Tsar. On the right searches and the beginning of beating of babies soldiers are shown. From above mosaics have spatial inscription: « Then the Herod, having seen itself ridicule from magician, rather was angry, and has sent to beat all babies in Bethlehem and in all limits of it, from two years and is lower » (Matthew, 2:16). An inscription are put crookedly, atop of damages of mosaic and it is badly read. It is visible, that much shorter inscription which has jammed has been earlier put.

Let's notice, that following logic of official Christianity, there should be mosaic about flight of Holy Family to Egypt, however such stage in Church is not present. Anybody agrees Proto Gospel from Jacob in Egypt did not disappear, hence, history about Egypt an invention of last centuries of Christianity.

Figures 31, 33. Murder of children and mourning of mothers (the western lunettes of the fifth and the sixth compartment external narthex). It is mosaic with terrible stages of beating of babies is in part damaged. On mosaic with mourning of mothers have inscription « the Voice in the Ram is audible, crying and sobbing, and cries great » (Matthew, 2:18). Letters are isomorphic to cloth of mosaic. The phrase comes to an end words – V PMOC ПOΛVC.

We believe that the inscription means this – In ROME CITY as letters IM are written as M with thick left vertical feature, and also spelling M passes in H. Thus, on a mosaic it is precisely written, that the question is Rome – Constantinople, and at all about city to the Frame which is not present in Palestine, not in Israel. Hence, the cities of Rome and Jerusalem in Proto Gospel from Jacob are identical.

Figure 32. Internal narthex the sixth compartment. Mosaics in the given premise were not kept or have been destroyed by restorers, as not reliable.

Figure 34. Elisabeth and John (the western lunette, the fourth compartment external narthex). In the primary source the name John and Jacob is mixed. On this composition the stage as Saint Elisabeth with baby John is hidden in cave on the right is represented. At the left the running soldier with sword which searches disappearing people is located. The stage is beaten with humor – the soldier raises sword, and Elisabeth with the son disappears in mountain which covers mother with the child. Elisabeth's image (the person, clothes, a nimbus) is identical to all portraits of Virgin Mary in Church of Chora. Above John's head there is nimbus which on internal structure reminds Jesus Christ's crosswise nimbus. The inscription on mosaic is put roughly, letters of different size and are located around of sword of the soldier. Letters look too new.

It agrees Proto Gospel from Jacob « Elisabeth, having heard, that search for John (its son), has taken it and has gone on mountain. Also searched for places where to hide it, but has not found. Also has exclaimed a loud voice, speaking: mountain of the God, let mother with the son, and the mountain have revealed and have let her ». We shall notice that anywhere there are more than stages with Elisabeth does not meet.

In it the Virgin following is high time has made: « Mary, having heard, that beat babies, having been frightened, has taken the Child and, having swaddled, has put in bullock day nursery ». Completely clearly, what to hide the baby in day nursery strange as children on regular basis cry, therefore to find the child would not make work.

On the other hand, it agrees Jacob is Tsar Herod at all did not search for Jesus, but John who was give birth six months ago by Elisabeth, wife Zohar tried to destroy son of High Priest Zohar by name. We shall result the citation about interrogation by the Herod of priest Zohar: « Herod in the meantime searched for John and has sent servants to Zechariah, speaking: Where you have hidden the son? It has answered, having told: I the servant of the God, am in Temple and I do not know, where my son. And servants came and have told it to the Herod. And the Herod in anger has told: the Son of it will be Tsar of Israel ». Then the Herod again has sent servants to Zechariah: « For now that your life in my authority. And Zechariah has answered: I the witness (martyr) Divine if you will spill blood my, God will accept soul my non guilty you will spill blood before Temple. And before dawn Zechariah has been killed, and sons of Israel did not know, that it has killed ».

We believe that the given event in Proto Gospel from Jacob is interpreted not absolutely truly. Under the Bible legend Elisabeth was 70 years old and should look the old woman. On the contrary, the Virgin was young and good itself. We are convinced that on mosaic the stage on which the Virgin is hidden with baby Jesus in mountain is represented. Actually for the first time in the life the Virgin has put into practice the abilities on an establishment of virtual Cover which has saved its Son from detection and death. It concerns also variant with rescue of baby Jesus in bullock day nursery. In any case, in Proto Gospel from Jacob and on mosaics of the Temple of Chora this first mention of application of the Virgin Cover for protection against external threats.

Figure 35. Returning to Nazareth (the western lunette, the second compartment external narthex). On mosaic the stage of returning of Holy Family from Egypt to Nazareth is submitted. At the left the sleeping Joseph to whom the Angel with news about death of Tsar comes nearer is represented. In the foreground there is Mary, behind it son Joseph pulls donkey (or the horse), before Mary goes Joseph and bears on Jesus's shoulders which has already grown from diaper. On the right the city of Nazareth is represented. From above mosaics have long inscription: « Having received in dream revelation (Joseph) has gone to limits of Galilee and, having come, has lodged in the city, named Nazareth » (Matthew, 2:22, 23). Letters of an inscription are not isomorphic to cloth of mosaic, are put roughly. The inscription is too long for the given picture.

Proto Gospel from Jacob comes to an end the description of death High Priest Zechariah and the following phrase: « And I, Jacob who has written this story in Jerusalem, during distemper disappeared in desert until the Herod has died, and distemper has not abated in Jerusalem ».

According to the initial Gospels Tsar Herod has lived up to Christ passions and nevertheless has seized Saint John Baptist searched by him in the childhood, has chopped off to it head and has presented its daughter.

We believe that the given mosaic shows crossing Holy Family to any city most likely it is the city of Prusa in Bithynia. We shall remind that Galilee is Galatia. In the east Galatia named Gallia and inhabitants of these grounds is Gaul’s.

Figure 36. On way to Jerusalem (the western lunette, the first compartment external narthex). On mosaic have the stage of travel of Holy Family to Jerusalem on celebrating of Easter is represented. At the left there is Mary, before it two sons Joseph and Jesus Christ. Ahead (in the center of composition) there is Joseph who gesture invites family to Jerusalem. At the top of mosaic have an inscription: « every year parents of it went to Jerusalem for holiday of Easter » (Lucas, 2:41). Letters of an inscription are not isomorphic to cloth of mosaic, are put roughly.

Figure 37. The period of youth of the Christ (northern slope of the arch, the first compartment external narthex). The mosaic in this part practically is completely destroyed. It is possible to assume, that stages from Jesus Christ's youthful life here have been represented. On the escaped part of mosaic Jesus is in Temple among doctors or teachers. On this place stages Proto Gospel from Jacob and the period of youth of Jesus come to an end.

Figure 38. John, Jesus and temptations of a devil (the arch of the second compartment external narthex). In the center of the arch there is decorative medallion. On circle mosaics with stages of the Gospel are located. In the Turkish book name Jacob and John is mixed. In northern part the stage on which John represents Jesus Christ to people on coast of the river Jordan is represented. The citation is written: « This was about What I have told, that Going for me began ahead of me because was before me » (John, 1:15). Further there are stages of temptation of Jesus devil. On the arch dialogue between the Savior and Satan is completely written out: « If you the Son Divine, tell, that stones this have become bread "," Is written: not bread one the person, but any word which is starting with lips of God will be alive "," all this I shall give you if, falling, you will bow to me "," Depart from me Satan "," His devil in sacred city (and delivers it on roof of Temple) Then takes: If you the Son Divine, rush downwards "," It is written: do not tempt Sirs of your God» (Matthew, 4:3–10). Letters of an inscription are not isomorphic to cloth of mosaic, are put roughly. There are the places written on naked plaster.

We believe that inscriptions on the given arch are made by monks or restorers recently with the most good an intention. It was not primary the majority of these inscriptions.

Figure 39. Wedding in Cana and Christ miracles (the arch of the third compartment external narthex). Unfortunately, the cloth of mosaic in the center of the arch is destroyed. There were some escaped stages is wedding in Cana with transformation of water into wine where are represented Jesus Christ with Mary and pupils, and also miracle of feeding by Jesus crowds five bread when the Christ gets from empty baskets of bread and fills with them other three baskets. Before Jesus Christ the surprised pupils, and behind them – crowd of people cost. The small fragment with bringing in victim of the bullock was kept also. No inscriptions on compositions are present there are no even Jesus Christ's names and Virgin Mary. We believe that originally all mosaics have been made without accompanying inscriptions.

Figure 40. Healing leper (the arch of the fourth compartment external narthex). The most part of mosaic is destroyed however by stayed east part it is possible to understand plot of mosaic. The western part of mosaic under the kept stories has been devoted to miracle of circulation of Jesus on water. This stage is completely lost.

Figure 41. External narthex, the arch of the fifth compartment. Mosaics of this part are completely lost. Probably, here there were plots of other miracles of Jesus Christ.

Figure 42. Healing of paralyzed people and Samaritan girl (the arch of the sixth compartment external narthex). The basic part of mosaic, unfortunately, is destroyed. In the center of the arch there is decorative medallion. There was picture of healing the Christ of the paralyzed person. In hand of the Christ have roll. Near to Jesus there is Peter, and around of the laying patient four persons cost. Above mosaic have there is badly kept inscription. Letters are isomorphic to cloth of mosaic they have been written equally and have disappeared in places of damage of mosaic. In corner Jesus Christ's image and girls with jug at well was kept. In next the seventh compartment the site of mosaic where Jesus calls Zacchaeus to go down from fig was kept.

Figure 43. Healing blind and deaf (southwest sail or pendentive, southern dome external narthex). A stage of healing by the Christ has blind and deaf. Jesus is represented in sandals. In his hand have roll. Near to it there is Saint Peter. Above have the short well–kept inscription. Letters are isomorphic to cloth of mosaic.

Let's note that in the Turkish book it is spoken about Saint Paul on mosaics of this part of Temple, but according to the official Bible legend, Saint Paul became the Apostle already after Jesus Christ's crucifixion and his rise on the sky.

Figure 44. Healing of two blind (northwest sail, southern dome external narthex). A stage of healing by the Christ is two blind. Jesus is represented in sandals. In his hand have roll. Near to the Christ there is Saint Peter, opposite to them two blind. Above have the short well–kept inscription. Letters are isomorphic to cloth of mosaic.

Figure 45. Healing of mother–in–law Peter (northeast sail, southern dome external narthex). In the center of composition there is Jesus Christ, on his legs of sandal. In his hand have roll. It holds for hand lying on bed, mother–in–law of Peter. Near to the patient there is Peter. Behind of the Christ two pupils cost. Above have the short well–kept inscription. Letters are isomorphic to cloth of mosaic.

Figure 46. The woman looking for healings (southeast sail, southern dome external narthex). In the center of composition the woman lays and Jesus Christ in the left part of picture holds for hem barefoot. Jesus turns around to the woman. In his hand have roll. Before Jesus have two pupils. Behind of the woman have group of people. Above have the short well–kept inscription. Letters are isomorphic to cloth of mosaic.

Figure 47. Healing of the young man with sick hand (spotlights of southern arch from east party internal narthex). A stage is healing with spare hand young man worth on the right and stretch out hand to Jesus Christ. Jesus costs at the left, behind of him three pupils. The Christ is blessing the patient. In the left hand of the Savior have roll.

Figure 48. Healing of leper (spotlights of southern arch from the western party internal narthex). The central part of composition with Jesus is strongly damaged. On legs of the Christ have sandal. Leper costs on the right and stretches hands to the Savior. All body of the patient is covered with sores. Above have the short well–kept inscription. Letters are isomorphic to cloth of mosaic.

Figure 49. Healing of sick crowd (the western lunette of southern dome internal narthex). At the left there is Jesus with pupils. The Savior blessing the patients located laying and costing in the central and right parts of composition. Jesus barefoot, in the left hand is roll. In the middle of stage is tree, and on the right are houses. Above have the short, well–kept inscription. Letters are isomorphic to cloth of mosaic.

Figure 50. Saint Andronicus (east part of the arch external narthex). On mosaic in full growth it is represented Saint Andronicus. It is cloudy in rich attire with mantle and holds in the right hand cross.

Figure 51. Saint Thoraces (the western part of the arch external narthex). On mosaic in full growth it is represented Saint Thoraces in rich attire and purple mantle. In the right hand it holds cross. The left hand is latent under mantle.

Except for the listed figures, on free surfaces internal and external narthex there are images of busts various sacred with nimbuses around of heads.

Figure 52. Dormition the Virgin (Naos, the western party). On an internal part Naos above an input in the main space of Church there is big mosaic, showing stage of Dormition of Virgin Mary. In the center of composition have on high bad lies as alive the Virgin. Around of it in rich attires eleven Apostles, three Church attendants with nimbuses above head and four women from Jerusalem are located. At the left there is Saint Peter and holds in hand censer. To the right of box Saint Paul was declined. In the center of picture in gold attire there is Jesus Christ with the baby in hands. The child symbolizes Mary's soul. Around of Jesus and the child have four archangels, above them six wings Seraph. Above two short inscriptions, the left word has damages. The right word was kept well. Letters are isomorphic to cloth and damages of mosaic. It is written H … ICIC ЂCӨKOV.

According to doctrines of Nova Church of Holy Russia, Dormition the Virgin was the sacred ceremony which has been lead with the purpose of protection of the Virgin from external enemies, typed force after leaving Jesus Christ. Dormition the Virgin did not mean literal death, but religious dream. The ceremony has been lead in 1024 in Constantinople, in Blachernae palace. Virgin Mary and pupils was visited by Jesus Christ managed at that time history and kind affairs in east part of Eurasia.

It is known that after farewell with Mother of God, there has arrived late Apostle Thomas who has demanded to say goodbye to Mary in tomb. The stone of cave has been opened, but on box there were only fest of the Virgin, Mary's body Apostles have not found out. In the same evening Virgin Mary has visited Wake supper of Apostles in the honor where has tried meal with visitors, has said goodbye and has risen on the sky. Actually, we believe that Virgin Mary has moved on residence to Dalmatia in the Loreto city. On regular basis she paid visits to Constantinople and managed miracles. Virgin Mary more than hundred years has lived Pure Mother of God and has been buried about John Baptist's Limit in Dormition Church in Kiev.

Figure 53. Jesus Christ (Naos, northern support abscissa). The picture is located to the left of an altar. In marble framework in full growth Jesus Christ is represented. In the left hand the Christ holds the open book, and the right hand bless. On Jesus's legs sandals are dressed on. Unfortunately, the most part of mosaic is destroyed. On the book the citation from the Gospel: « Come to me all needy and burdened, and I relieve you » (Matthew, 11:28).

Figure 54. Hodegetria of Mary (Naos, southern support abscissa). The picture is located to the right of an altar. In marble framework worth Mary with baby Jesus in hands is represented. Jesus is to the left of the observer on Mary's right hand, it the right hand bless Mother. The Virgin is dressed in silk raincoat, on head it is necessary forehead there is gold octagonal star of Russ, and the same stars are on shoulders of the Virgin. Jesus is dressed in gold, brocade clothes. Above head of the Virgin have inscription MP HXѠPA at the left was kept. The most part of mosaic is strongly destroyed.

Further, we shall pass to the description of frescos Parecclesion. This premise has been conceived as tomb, therefore over his compositions are dominated with theme of Revival and Terrible Court. Though pictures here are executed in style of fresco, instead of mosaic, assume that all ensembles of images were created by the same group of artists, as other Temple. Below we result the plan – circuit of Parecclesion.

Figure 55. Anastasias (Revival), at the end of an apse in the east is present picture of Revival. In the center of composition there is Jesus Christ in white attire which takes for hands Adam and Eva, and pulls out them from tombs. In Jesus's legs the broken doors of the Hell and the connected attendant of it is Satan. On the right there is Abel and fair people, and at the left there are Jacob, Tsars – Prophets and believing people. This stage illustrates apocryphal Gospel from Nicodemos. It is curious, that the given fresco refers to in the Turkish book Revival and in the book Sergey Ivanov – Come down in hell. On fresco there are short inscriptions HANACTACIC and IC XP.

Further, almost everywhere on frescos, there are only short inscriptions without citing the Gospel. We believe that in all Complex of Chora, both on frescos, and on mosaics, there were only short original inscriptions. Only mosaics have been more recently supplied with "correct" citations from the late Bible text which go on cloth of mosaic and surface of plaster. Probably, attempts to write the explanatory on all frescos have ended with failure. The part of citations is traced by number on the special tablets attached later.

Figure 56. Archangel Michael. In the center of the arch of abscissa inside medallion there is picture of Archangel Michael holding in the left hand the globe or the Universe.

Figure 57. Revival of Jared’s daughter, southern part of the arch of abscissa. The composition illustrates miracle revival of daughter of Jared by Jesus Christ. Jesus is represented costing, holding for hand the girl who lies on high bed. On background there are Apostles and relatives of the dyed girl. Around of people two towers are represented.

Figure 58. Revival of the son of the widow, northern part of the arch of abscissa. The fresco illustrates miracle revival of the son of the widow living in the city of Nain.

Figure 59. Six Saint, wall of abscissa. On wall six Saint with nimbuses above heads and in celebratory attires are represented. The name extreme left Sacred is not established. Names of the others from left to right: Saint Athanasius Great, Saint John Zlatoust, Saint Basil Great, Saint George the Theologian and Saint Cyril from Alexandria.

Figure 60. Doomsday (Deisis), wide dome before the arch of abscissa. In the center of picture of Terrible Court Jesus Christ in an aura of the Chariot of the God sits on throne. To the left of him there is Virgin Mary, and on the right is John Baptist who on behalf of mankind asks at him pardons. On each side compositions are represented two groups of Apostles, and on background – galaxy of angels. All characters have nimbuses above heads.

On frescos and the damaged part, it is direct on cloth of plaster, there are two inscriptions with citations from the Gospel from Matthew (Matthew, 25:34, 25:41): « Come, blessed my Father, inherit an Empire prepared to you from creation of the world! » And « Go from me, damned, in fire eternal, prepared to devil and his angels ». The text is supported with gestures: the right hand specifies to just people way upward and the left hand sends sinners downwards, in Gehenna fiery. Inscriptions were badly kept and are not isomorphic to cloth of fresco.

The Prepared Throne with instruments of Passions, to it is below shown drop Adam and Eva, looking against each other. A number are angels with the weights, weighing oppress people and determining where whom to go – to the right or on the left. From Jesus Christ's left leg the lava expires and jet is direct on surface of sail of the arch. The lava spreads in huge burning lake in which it is sad the connected sinners go.

Figure 61. An angel bearing paradise, wide dome above the arch of abscissa. This picture is located above composition of Terrible Court (Deisis) in the center of the arch. The flying Angel holds in hands something reminding bowl of snail, made of crystal. Paradise is represented as bright space in which there is Sun and Moon, and also set of stars. Such stage in the Byzantium art is unique, reached up to our times. In opinion of other author – Dr. Sergey Ivanov, this stage represents an angel who on the occasion of the termination of times turns off the sky in roll.

Figure 62. Abraham with Lazar in hands, northeast part of the arch of abscissa. On composition it is represented sitting on throne Abraham, holding in hands sorry Lazar as the child. Around Abraham the group of children symbolizing human souls is located.

Figure 63. The rich man in hell, southeast part of the arch of abscissa. In picture the rich man burning in hell is represented.

Figure 64. An angel and the child, northwest honor of the arch of abscissa. The angel holding for head of the child is represented. The fresco has damages.

Figure 65. Angels and deceased, southwest part of the arch of abscissa. On stage one of the main angels, probably is represented, this plot is taken from the Old Testament according to which, during an apocalypse the angel on all light and in moment come to life all died people which on stage get out of water of the seas will blow and leave the tombs.

Figure 66. People in hell, to the left of the arch wall with threefold window, lunette of southern wall. A composition has four parts, representing flours and tortures of people which have got in hell.

Figure 67. People bearing sarcophagus, to the right of threefold window. People bearing cover of sarcophagus or the Ark of the Covenant are represented to stoop.

The image of the Ark of the Covenant does not correspond to modern canons.

Figure 68. People going to paradise, lunette of northern wall. In the center of composition it is located six wings Seraph. To the left of him Apostle Peter with keys in hand conducts righteous persons in paradise. At the left the reasonable robber (the neighbor of the Christ under the crucifixion) with cross welcomes entering and specifies to them Virgin Mary sitting on throne in an environment of angels. Unfortunately, this part of compositions has essential damages.

Figure 69. Mary and baby Jesus, dome above western compartment of Parecclesion. In the center of dome inside medallion there is an image of Virgin Mary with baby Jesus which bless people both hands. In segments of dome twelve angels are represented. On southern wall of dome premise there is Saint Michael Tornik's epigraph where inside niche there is his tomb.

Assembly with Mother of God, baby Jesus and heavenly troops is based upon sails of dome on which are represented four Byzantium poets composing hymns to the Virgin.

Figures 70–73. Bible poets, sails of dome of Parecclesion. On pendentive of domes are represented four Bible poets. On northeast pendentive is Saint John (70), on southeast pendentive is Saint Cosmas (71), on southwest is Saint Joseph (72) and on northwest is Saint Theophanes (73) is drawn. Poets are represented in an environment of lecterns for the letter, among boxes with writing–materials and inkwells. Saint Joseph's images and Theophanes were kept badly.

Primary sources identify these poets with John Damascus, Cosmas of Maiuma, Joseph the Hymnographer and Theophanes the Traced, as authors of songs and hymns to the Virgin.

We believe that such attribution disputable character has. It is logical to assume, that in the Temple of Chora there should be images of Bible evangelists, instead of usual, let even outstanding Church poets. According to doctrines of Nova Church of Holy Russia Bible events of the New Testament occurred in X–XI centuries, therefore Bible poets should be contemporaries of this period. Even in Russian annals and patericon of Russian monasteries it is spoken that in Russia in XI century Apostles Paul and Andrew preached.

On the basis of these arguments and our belief, we identify Saint John Damascus from frescos of Church of Chora to John VIII Xiphilinos, Constantinople the Patriarch (1066–1075), the outstanding Byzantium lawyer and the writer of time. During lifetime of Constantine IX Monomachos (it is Yaroslav Wise) the Church figure has been approached to court yard and protected rights of Church from feeble efforts of Emperors of New Rome. We count that Saint John Damascus – John VIII Xiphilinos is identified also with Apostle Saint John Evangelist, the spiritual friend and the colleague of Virgin Mary.

We identify Saint Cosmas from frescos of Church of Chora with Cosmas I of Jerusalem, Constantinople the Patriarch (1075–1081). In turn we think that Cosmas I of Jerusalem became prototype Cosmas of Maiuma (Jerusalem), Byzantium Church poet ostensibly VIII centuries.

We count that time of life of Saint Joseph the Hymnographer and Saint Theophanes the Traced is dated wrongly, actually they lived and created in XI century. Theophanes the Traced was monk in Monastery of Chora and in the same place has been buried.

Distinctions in attribution of Bible poets are based that in days of spelling of mosaics and frescos of Church of Chora in Constantinople Church canons and Bible authors of the Gospels were others. Modern attribution of Bible Evangelists as John, Lucas, Mark and Matthew has become current only in XVI century, and has become stronger in XIX century.

Figure 74. Dream of Jacob, the western half of northern lunette. In the left part of composition it is represented sleeping Jacob. To it goes down from heavens on ladder angels. In the right part of stage two struggling angels are shown. The mosaic is accompanied by inscriptions with the citation from the Old Testament, the book of Life: « Also has come on one place, and has remained there to spend the night, because the sun has gone. Also has taken one of stones of that place, and has put to itself headboard, and has lain on that place. Also has dreamed: here, the ladder costs on the Earth and the top of her concerns the sky; and here, Angels of God ascend and descend on it. And here, God costs on it » (Life, 28:11–13). The ladder is identified by Christians with the Mother of God: on it as on ladder, the God has left to the Earth.

Figure 75. Moses in bushes, east half of northern lunette. To the left of window there is an illustration of the phenomenon to Prophet Moses is Neopalimaya Kupina (Burning bush) which burned, but did not burn down. In center of Kupina the Virgin with baby Jesus in an environment of an astral field of Meditation of Cub is shown. The given image has served as prototype of icon Neopalimaya Kupina with Mother of God and baby Jesus. Images of Neopalimaya Kupina, Moses (Dux of Moesiea) and animals is not isomorphic each other.

We believe that phenomenon Neopalimaya Kupina correctly to name Neopalimaya Kubina, as this object which is formed of projections of rotating astral field as correct pyramids (kubares) around of prana of the Virgin.

Figure 76. Salomon and people of Israel, southern wall of dome premise. On the given composition the stage of transferring of the Ark of the Covenant in Temple Salomon is developed. Christians identified the Ark of the Covenant as Virgin symbol – in fact and it was receptacle divine, as later Virgin Mary.

The first part of stage has an inscription, the Bible not corresponding to Synod translation: « Also happened, that on end of construction of Temple of God of Salomon has called elders of Israel in Zion to transfer an Ark of Covenant Lord from David's city that is Zion. And priests have lifted an ark, tabernacle Certificates » (3 Kings, 8:1, 3). Continuation of stage can be seen on spotlights of an arch between two sites, but here the inscription was not kept. The third stage on east half of southern lunette of dome is addressed by the citation: « And Tsar and all Israel before an ark » (3 Kings, 8:1, 5). Tsar Salomon on an illustration is submitted in an attire of the Byzantium Emperor.

According to our canons of belief, Tsar Salomon is identified with Great Khagane Sulabi, it is the Byzantium Emperor Justinian II Rhinotmetus. Khagane Sulabi by Arabs named Suleiman, one of the first caliphs of Ummayads Empire. Temple of Salomon – Sulabi has been finished in 705 on Temple Mountain and since then costs on the place. The Temple of Israelis is Qubbat As–Sakhrah or the Rock of Cub (Rock of Dome) refers to. Therefore there is nothing surprising in dressing of Salomon, as the Byzantium Emperor.

The image of the Ark of the Covenant does not correspond to modern canons.

Figure 77. Installation of sarcophagus (Ark of the Covenant) in the Temple, the western half of southern lunette. The fourth stage in the western half of lunette is Installation of an ark in Holy of Holies. There is an inscription: And priests have brought in an Ark of Covenant God on his place, to special premise of Temple, in Holy of Holies, under wings of cherubs (3 Kings, 8:1, 6).

The image of the Ark of the Covenant does not correspond to modern canons.

Figure 78. War with Assyrians in Jerusalem, spotlights of the western arch from the southern party of the arch. The composition represents stage of war with Assyrians in Jerusalem. In the foreground cost Saint (at the left) and the Angel (on the right). On the tablet about fresco there is almost not readable inscription: « Therefore so God speaks about Tsar of Assyrians: it will not enter this city » (Exodes, 37:33). The fresco has damages.

Let's pay your attention to the image of Jerusalem – in the center of composition above city gate (above developing mantle of an angel) the icon of the Virgin with baby Jesus is placed, that is it is Constantinople. Hence, antiquated events occur in Jerusalem – Constantinople that contradicts an official history, but corresponds to true and canons of Nova Church of Holy Russia.

Figure 79. Aaron with children before an altar, northern part of the same arch. On composition are represented Tsar–Prophet Aaron with two sons in which hands there are boxes for an incense. The antiquated altar is prototype of the Virgin, and sacrifice symbolizes Jesus Christ.

Figure 90. Eleousa Mary, southern wall of abscissa. On wall there is an image in all growth of Virgin Mary with baby Jesus on hands. On head and Mary's shoulders there are embroidered octagonal stars of Russ.

Except for multi figured pictures the space Parecclesion is filled with images single Saints among which it is lot of soldiers with the weapon in the hands, called to protect rest of the tombs located in this premise.

Tombs of Parecclesion. Places of burial places are specified on the general plan by the big Latin letters.

In niche located at the left on northern wall side–chapel, it is buried Theodore Metochites (A). To the right of him the sepulchral niche is empty (B). Opposite to it in southern wall there is burial place made after 1321 (C). The tomb is empty above it the portrait of four unknown persons has escaped.

Opposite to tomb of Metochites there is a tomb, where lay Constable Saint Michael Tornik (has died in 1328) and his wife Eugenia (D). On niche there are names of buried people. Michael has accepted has cut and there was monk Makarios, and his wife – nun Eugenia. At life Michael Tornik was registered on one of the most influential and rich grandees of time. In his veins imperial blood flew. It was rather amicable with Emperor Andronikos II. Michael at life has made rich donations to monastery where has been buried.

Burial places have been continued in niches of the western wall external narthex. In the left niche Irina Raulena–Palaiologina (E), daughter Theodora Palaiologina is based. Irina in nun has accepted name Aphanasia. On vaults of this niche there is fresco in which center Virgin Mary with baby Jesus is represented, and also – at the left Saint Cosmas and on the right Saint John. Cosmas holds roll in hand on which it is written: « Any person fades, as flower, and thaws, as dream, and is dissolved ». The inscription on John's roll is not read.

The burial place in niche (F) belongs to one of members of family Palaiologos. On wall it is possible to distinguish monograms Asanos, Palaiologos and Dermokantos, there is also two–headed eagle – symbol of Palaiologos. The tomb located in niche (G), also is unknown.

Last burial places in niches of northern wall internal narthex (H) belong to despot Dmitry Palaiologos (1294–1343), the younger son of Emperor Andronikos II, and his wife Theodora Komnene. On the top part of niche there is an image of the Virgin with baby Jesus, copy of an icon Life–giving Spring from monastery Life–giving Spring. In the same place the poem « You – source of life as you are Mother of the God of the Word, I’m Dmitry, your slave was kept, I admire ».

On it our description of mosaics and frescos of Church of Chora comes to an end. We shall sum up and we shall draw conclusions on conformity of the history described and shown on walls Chora, to the modern initial Gospels of Orthodox Church.

The Orthodox Church has proved last two centuries to clergy, parishioners and all worlds that she is the keeper of ancient wisdom and word Divine as the information contains in constant kind of thousand years and not one letter Holy Book and the Holy Legend did not vary for the expired period. For this reason the Church is stronghold of ancient doctrines and refers to orthodox.

However we see that the Church of Chora denies settled paradigm, canons and stereotypes of Orthodoxy and is the alive witness of ancient doctrines of Orthodoxy of Russia of the beginning of XIV century (1315–1321). For preservation of imperishable artifacts of Christianity we are obliged to be grateful to Moslems who have not destroyed, but have reliably fixed pictures and stages of the New Testament in Church of Chora, having painted over their plaster in the beginning of XVI century.

Again we shall note that all inscriptions in Church are executed in Church language of Russ, being by product of integration of the Greek and Old Russian languages. The modern generation Russian speaks people can easy read inscriptions of Chora.

Studying of signs, names and texts of complex of Chora speaks that originally authors of construction have inscribed mosaics and frescos short phrases and words, is sometimes simple symbols. Eventually mosaics and frescos began to receive damages from influence of an atmosphere and regular earthquakes which were showed also on texts of inscriptions. Today we see that the most part of inscriptions is not isomorphic to cloths of mosaics and frescos. Some phrases are written atop of basis of pictures, they are put directly on substrate (plaster). In premise Parecclesion many citations from the Bible are written on tablets near to images. We believe that the majority of inscriptions have been made during later period, than art compositions.

Let's put forward hypothesis on which the majority of inscriptions of the Temple of Chora have been made after capture by Turks of Constantinople in 1453, down to the beginning of XVI century. During this period, in connection with loss by Christians of the control over Constantinople – Jerusalem, the Church started the extensive program from change of doctrines and canons of Christianity as access to Holy Places of Constantinople appeared is closed for believers. At the end of XV century new texts of Holy Book of Old and New Testament began to affirm.

With good intentions monks and attendants of monastery of Chora began to supplement inscriptions of mosaics and frescos with citations from the Bible to order dogma. From the moment of drawing pictures has passed about 300 years. Having seen these works, the authority of Ottoman Empire has disposed to stop distortion of Orthodoxy and new spelling of icons, as the acts contradicting to the Islam. Therefore the monastery has been closed, all images of the Temple of Chora have been closed by plaster, and the Church – is transformed into mosque Kariye.

In 1948 Turkish authorities have made the decision to close mosque Kariye, to restore internal furniture of Church and to make of it museum of the Byzantium art. In 1948–1958 in Temple work restorers Thomas Whittemore and Paul A. Underwood which also with good intention could bring in the mite on restoration of ostensibly lost Bible citations which located all Bible events in Palestine worked.

Despite of efforts of censors, they did not manage to clean true Bible history from Church of Chora. Thank God, at them the hand has not risen to edit stages of mosaics and frescos.

We list different interpretations in names, pictures and plots of Church of Chora with the modern version of Christianity.

1. All inscriptions, names and names are made in Church Russ language.

2. Images do not contain Jewish symbolic and David's six–coal stars, but there are octagonal stars of Russ and various projections of quantum object – Chariot of the God or Cub on plane. Prophets, High Priest, Mary and Jesus are not Jews, but Israelis, ethnic Finn–Ugrian.

3. Figures of Bible Prophets, Tsars, Saints, Flatterers, Apostles, Virgin Mary and Jesus Christ are dressed in rich Byzantium clothes of the end of the first Millennium, but did not start Christian epoch. Images of subjects of life, books, rolls, hall’s, Temples, buildings and cities also do not correspond to the beginning of new era.

4. The majority of Apostles and Saints are represented by Europeans, but not Semites from Palestine, only the small part of characters has strongly pronounced east features.

5. The list of ancestors of Jesus Christ from Adam up to Jacob considerably differs from modern canon.

6. The list of ancestors of Tsars – Prophets from David up to Salaphiah is shorter on Tsar Joachim.

7. Meeting Joachim and Anna has taken place at Golden Gate which is only in Constantinople.

8. Magicians and priests in the Temple bless girl Mary Christian sign of the cross, i.e. the Christianity existed till birth of the Jesus Christ.

9. Mary was not married to Joseph, but the Virgin has been transferred to Joseph's family for residing and preservations in purity.

10. Mary has become pregnant, just drink waters from the Holy Well where has received the Annunciation.

11. The inscription on mosaic about census in Judea does not correspond to the validity. Actually the stage of court in the Temple above Joseph and pregnant Mary is represented.

12. Jesus's Christmas has taken place not in cave, and in hole, and the word Yam means the fort or small shelter in Ugrian language.

13. On stages of beating of babies it is spoken about women of Rome, i.e. Constantinople.

14. There was no flight of Holy Family to Egypt.

15. During beating babies Mary has hidden Jesus in bullock day nursery or together with it was covered in cave, for the first time having created the Cover of the Virgin for protection herself and baby Jesus.

16. On mosaics and frescos only place names are specified in Bible citations which are traced considerably after date of creation of compositions.

17. Jesus Christ is represented by the person of very high growth.

18. Paradise was represented Byzantines as the universe – crystal snail in heavens, and not Heavenly Jerusalem.

19. Bible poets admitted Saints John, Cosmas, Joseph and Theophanus. Anywhere there are no images and names of initial Evangelists – Saints John, Lucas, Mark and Matthew.

20. Salomon was considered as the Byzantium Emperor, and the Ark of the Covenant was transferred to the Temple to Constantinople – Jerusalem.

21. The image of the Ark of the Covenant does not correspond to modern canons.

22. Jerusalem was represented as Constantinople as above Golden Gate there was an icon of Virgin Mary with baby Jesus is symbol of capital.

Research of artifacts of Church of the Christ Savior in Chora (Church of Chora, XIV century) has confirmed conformity of canons of Nova Church of Holy Russia to doctrines of Byzantium Orthodoxy and has found out the numerous facts of falsifications and forgeries Holy Book and the Holy Legend at formation of modern Christian canons which at all are not an inviolable reality from above, and there is product of human creativity only.

Pontifex Maximus and Grand Prince,
Professor of theology, Doctor of theology and Doctor of historical sciences,
Valeriy Viktorovich Kubarev
15.09–08.10.2014.

The literature:

1. The Bible, Old Testament and New Testament. Gospels from Saints Lukas, John and Matthew.

2. Haia–Sofia and Kariye (Russian language), Text Ali Kilickaya, photos Erdal Yazici and Ismail Kucuk, Doga Basim, Turgut Ozal Cad. Celik Yenal is Mercezi, No. 117 Ikitelli – Istanbul. Copiring Silk Road Publications, Istanbul – Turkiye, ISBN 978–605–5629–16–8.

3. Stories of time years (STY) of Nestor.

4. Attribution of Rurikovich and Emperors Lecapenos, Kubarev V.V., The report at XXVIII International conference on problems of the Civilization, 26.04.2014, Moscow, RosNoU.

5. In searches of Constantinople, Sergey A. Ivanov, Publishing house Vokrug Sveta, M., ISBN–978–5–98652–382–8, 2013.

6. Proto Gospel from Jacob.

Text of article in Word:

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